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Popular Music and Society Volume 37, 2014 - Issue 2
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Articles

Diasporic Music in Transition: Turkish Immigrant Performers on the Stage of “Multikulti” Berlin

Serhat GüneyView further author information
,
Cem PekmanView further author information
&
Bülent KabaşView further author information
Pages 132-151 | Published online: 13 Dec 2012

Citations (9)

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Read on this site (2)

Hélène Sechehaye. (2022) Turkish Folk music between Ghent and Turkey: context, performance, function. Ethnomusicology Forum 31:3, pages 454-456.
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Ayça Tunç Cox. (2019) Portrayal of Turkish–German migratory relations in Turkish films of the 1980s: a call for an alternative reading. Turkish Studies 20:5, pages 794-811.
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Articles from other publishers (7)

Ismail Boulaghmal & Jonas PolfußIsmail Boulaghmal & Jonas Polfuß. 2023. Hiphop-Marketing. Hiphop-Marketing 103 137 .
Robert Shaw. (2022) Geographies of night work. Progress in Human Geography 46:5, pages 1149-1164.
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Cornelia Lund & Holger Lund. (2022) A history of flops and a new turn: The Turkish-German music interplayUne histoire de flops et un nouveau tournant : le dialogue musical turco-allemand. Transposition:10.
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Serhat Güney, Bülent Kabaş & Fatih Çömlekçi. (2018) A Place for Immigrants in the Ghetto: The Rise and Fall of the NaunynRitze Youth Centre . Space and Culture 22:4, pages 369-386.
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Michael Ahlers. (2019) ‘Kollegah the Boss’: A case study of persona, types of capital, and virtuosity in German gangsta rap. Popular Music 38:03, pages 457-480.
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Serhat Güney, Bülent Kabaş & Cem Pekman. (2016) The Existential Struggle of Second-Generation Turkish Immigrants in Kreuzberg. Space and Culture 20:1, pages 42-55.
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Didem Buhari-Gulmez. 2017. Music as a Platform for Political Communication. Music as a Platform for Political Communication 204 220 .

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