Citations (31)
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Josh Greenberg. (2023) Sensing Vinyl: Ritual, Memory, Materiality. Popular Music and Society 46:5, pages 485-499.
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Bjørn Schiermer. (2023) Collective and material embeddedness: a critique of subcultural studies and a new perspective. Journal of Youth Studies 0:0, pages 1-22.
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Catherine Strong, Andy Bennett, Ben Green & Ian Rogers. (2023) Searching for “Australia’s Woodstock”: The Forgotten Australian Rock Festivals of 1970 – 1975. Popular Music and Society 46:2, pages 134-150.
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Artur Szarecki. (2023) Musicking Assemblages and the Material Contingency of Sound: Mostly Other People Do the Killing’s Re-enactment of Kind of Blue. Popular Music and Society 46:2, pages 99-116.
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Sophie Whitehouse. (2023) “Taking a chance on a record”: lost vinyl consumption practices in the age of music streaming. Consumption Markets & Culture 26:1, pages 64-80.
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Pat O’Grady. (2023) “Everyday Fidelity”: Analyzing Sound Quality in Ubiquitous Listening Practices. Popular Music and Society 46:1, pages 21-34.
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Qiuju Luo, Siyue Hu & Yunjiao Guo. (2022) ‘Right here, right now!’: embodied experiences of pop concert participants. Current Issues in Tourism 25:17, pages 2838-2853.
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Allan Watson & Andrew Leyshon. (2022) Negotiating platformisation: MusicTech, intellectual property rights and third wave platform reintermediation in the music industry. Journal of Cultural Economy 15:3, pages 326-343.
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Alcina Cortez. (2022) Museums as sites for displaying sound materials: a five-use framework. Sound Studies 8:1, pages 43-72.
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Federico Spinetti, Monika E. Schoop & Ana Hofman. (2021) Introduction to Music and the Politics of Memory: Resounding Antifascism across Borders. Popular Music and Society 44:2, pages 119-138.
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Eliot Bates. (2020) Vinyl as event: Record Store Day and the value-vibrant matter nexus. Journal of Cultural Economy 13:6, pages 690-708.
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Jasmine Darlington-Rielly. (2019) Music Ephemera within Library Collections: A Review of the Literature. Journal of the Australian Library and Information Association 68:2, pages 194-205.
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Amanda L. Scherbenske. (2018) On the Production of Alternative Music Places: Im-materiality, Labor, and Meaning. Popular Music and Society 41:4, pages 408-423.
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Evangelos Chrysagis. (2016) The Visible Evidence of DiY Ethics: Music, Publicity and Technologies of (In)Visibility in Glasgow. Visual Culture in Britain 17:3, pages 290-310.
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Articles from other publishers (17)
Alex W. Grebenar. (2024) Building the Virtual Dancefloor: Delivering and Experiencing House Music Events in the Time of COVID-19. Tourism and Hospitality 5:1, pages 32-50.
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Benjamin Duester. (2023) ‘There’s a lot of freedom you can have with that kind of thing’: vinyl and cassette split releases in the digital age. Media, Culture & Society 45:7, pages 1370-1386.
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Paula Guerra. (2022) House of Golden Records: Portugal’s Independent Record Stores (1998–2020). Societies 12:6, pages 188.
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Translation: Bernadette Biedermann. (2022) Zum Sammeln und Ausstellen von traditioneller und populärer Volksmusik in Österreich – die Fallstudie Sammlung Wiesenhofer vor dem Hintergrund der internationalen Forschungssituation. Curator: The Museum Journal 65:4, pages 887-908.
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Bernadette Biedermann. (2022) Collecting and Exhibiting Traditional and Popular Alpine Folk Music in Austria—A Case Study. Curator: The Museum Journal 65:2, pages 379-398.
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Eleftherios Zenerian. (2019) Vinyl records, metal fandom and fan labour: Productions and exchanges at the intersection of the cultural and financial economies. Metal Music Studies 5:1, pages 89-106.
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