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Popular Music and Society Volume 44, 2021 - Issue 1
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Paradoxes of Gender, Technology, and the Pandemic in the Iranian Music Industry

Mehdi Sematia Department of Communication, Northern Illinois University, DeKalb, IL, USACorrespondence[email protected]
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Nima Behroozib School of Culture and Communication, University of Melbourne, Melbourne, AustraliaView further author information
Pages 1-13 | Published online: 10 Dec 2020

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Read on this site (1)

Behrang Nikaeen. “I’ll Also With My Poverty, Buy All Your Sadness”: Tataloo and the Tatality Fanbase in Iran. Popular Music and Society 0:0, pages 1-18.
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Articles from other publishers (4)

Luís Bittencourt, Helena Marinho & Alfonso Benetti. (2023) Vivências de pandemia: desafios e estratégias de programação e disseminação no contexto da música experimental em Portugal (2020-2021). Orfeu 8:2, pages e0201.
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Masahiro Niihara, Yuma Yamashita, Chihiro Yukawa, Kyouhei Toyosima, Yuki Nagai, Tetsuya Oda & Leonard Barolli. 2023. Advanced Information Networking and Applications. Advanced Information Networking and Applications 28 35 .
Genki Moriya, Kyohei Toyoshima, Nobuki Saito, Chihiro Yukawa, Yuki Nagai, Tetsuya Oda & Leonard Barolli. 2023. Advances on P2P, Parallel, Grid, Cloud and Internet Computing. Advances on P2P, Parallel, Grid, Cloud and Internet Computing 122 128 .
Turan SAĞER. (2021) Pandemi Döneminde Sanat EğitimiArt Education in the Pandemic Period. Medeniyet Sanat Dergisi 7:2, pages 214-226.
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