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Original Articles

Protest music as political persuasion

Pages 25-38 | Published online: 24 Jul 2008

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Read on this site (4)

LawrenceM. Berger. (2000) The Emotional and Intellectual Aspects of Protest Music. Journal of Teaching in Social Work 20:1-2, pages 57-76.
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Mark Mattern. (1998) Cajun music, cultural revival: Theorizing political action in popular music. Popular Music and Society 22:2, pages 31-48.
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KerranL. Sanger. (1997) Functions of freedom singing in the civil rights movement: The activists' implicit rhetorical theory. Howard Journal of Communications 8:2, pages 179-195.
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JefferyJ. Mondak. (1989) Cultural heterogeneity in capitalist society: In defense of repetition on the billboard hot 100. Popular Music and Society 13:3, pages 45-58.
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Articles from other publishers (6)

Benjamin C. Herman, Michael P. Clough & Asha Rao. (2022) Socioscientific Issues Thinking and Action in the Midst of Science-in-the-Making. Science & Education 31:5, pages 1105-1139.
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Yanru Jiang & Xin Jin. 2022. Culture and Computing. Culture and Computing 291 304 .
José-María Esteve-Faubel, Tania Josephine Martin & Rosa-Pilar Esteve-Faubel. (2018) Protest songs about the Iraq War: An effective trigger for critical reflection?. Education, Citizenship and Social Justice 14:2, pages 179-195.
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Hugo Gorringe. (2016) Drumming out oppression, or drumming it in? Identity, culture and contention in dalit politics. Contributions to Indian Sociology 50:1, pages 1-26.
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Mark Mattern. (1999) John Dewey, Art and Public Life. The Journal of Politics 61:1, pages 54-75.
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Gilbert B. Rodman. (1990) Everyday I Write the Book: A Bibliography of (Mostly) Academie Work on Rock and Pop Music. Journal of Popular Music Studies 3:1, pages 18-39.
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