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Australian Journal of Linguistics Volume 33, 2013 - Issue 4
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Articles

Edge Effects in Warlpiri Yawulyu Songs: Resyllabification, Epenthesis, Final Vowel Modification

Myfany TurpinUniversity of Queensland
&
Mary LaughrenUniversity of Queensland
Pages 399-425 | Accepted 10 Apr 2013, Published online: 16 Dec 2013

Citations (7)

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Read on this site (3)

Megan Jones Morais. (2021) Documenting the Dreaming: Designs and Songs of the Present, in the Past, for the Future. The Asia Pacific Journal of Anthropology 22:2-3, pages 119-139.
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Calista Yeoh & Myfany Turpin. (2018) An Aboriginal Women’s Song from Arrwek, Central Australia. Musicology Australia 40:2, pages 101-126.
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Georgia Curran. (2018) On the Poetic Imagery of Smoke in Warlpiri Songs. Anthropological Forum 28:2, pages 183-196.
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Articles from other publishers (4)

GEORGIA CURRAN & CALISTA YEOH. (2022) “That is Why I am Telling this Story”: Musical Analysis as Insight into the Transmission of Knowledge and Performance Practice of a Wapurtarli Song by Warlpiri Women from Yuendumu, Central Australia. Yearbook for Traditional Music 53, pages 45-70.
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Kathryn H. Franich & Ange B. Lendja Ngnemzué. (2021) Feeling the Beat in an African Tone Language: Rhythmic Mapping Between Language and Music. Frontiers in Communication 6.
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Álvaro Fernández-LlamazaresDana Lepofsky. (2019) Ethnobiology through Song. Journal of Ethnobiology 39:3, pages 337.
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Myfany Turpin & Nigel Fabb. (2017) Brilliance as Cognitive Complexity in Aboriginal Australia. Oceania 87:2, pages 209-230.
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