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Rhetoric Review Volume 35, 2016 - Issue 2
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Articles

The Sounds of Climate Change: Sonic Rhetoric in the Anthropocene, the Age of Human Impact

Michelle ComstockUniversity of Colorado Denver;Georgia State UniversityView further author information
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Mary E. HocksUniversity of Colorado Denver;Georgia State UniversityView further author information
Pages 165-175 | Published online: 15 Mar 2016

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Read on this site (9)

Courtney J. Dreyer. (2023) (Eco)horror of Masculinity: Confronting Abject Nature in the Films of Robert Eggers. Southern Communication Journal 0:0, pages 1-12.
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John Purfield. (2022) Bridging the Gap: Speculative Roles of Specific Intellectuals in Climate Justice. Rhetoric Review 41:3, pages 213-225.
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Emma Frances Bloomfield. (2021) Transcorporeal Identification and Strategic Essentialism in Eco-Horror: mother!’s Ecofeminist Rhetorical Strategies. Environmental Communication 15:3, pages 339-352.
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Dustin W. Edwards. (2020) Digital Rhetoric on a Damaged Planet: Storying Digital Damage as Inventive Response to the Anthropocene. Rhetoric Review 39:1, pages 59-72.
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Eric Detweiler. (2019) Sounding Out the Progymnasmata. Rhetoric Review 38:2, pages 205-218.
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Rachel Presley & Jason Crane. (2018) Sonic colonizations, sound coalitions: analyzing the aural landscape of Standing Rock’s No-DAPL movement. Argumentation and Advocacy 54:4, pages 305-322.
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Byron Hawk. (2018) Sound: Resonance as Rhetorical. Rhetoric Society Quarterly 48:3, pages 315-323.
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Gian Franco Capra, Antonio Ganga & Allan F. Moore. (2017) Songs for our soils. How soil themes have been represented in popular song. Soil Science and Plant Nutrition 63:5, pages 517-525.
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Joel Overall. (2017) Kenneth Burke and the Problem of Sonic Identification. Rhetoric Review 36:3, pages 232-243.
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Articles from other publishers (14)

Aloys Budi Purnomo. (2023) The Efficacy of Eco-Music in Interreligious Ecotheological Movement in Indonesia. DIALOGO 9:2, pages 23-34.
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Miles C. Coleman, Brandon Simon, Matt Pierce & Charles A. Schutte. (2023) Emergent Sonification: Using Computational Media to Communicate the Anthropocene in ByrdBot. Science Communication 45:2, pages 252-266.
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Catherine Lord. (2022) Sexy, slimy, monstrous: Infection as collaboration in Ben Wheatley’s In the Earth and Jaco Bouwer’s Gaia. Australasian Journal of Popular Culture 11:1, pages 147-161.
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Maciej Guzy. (2022) Bernie Krause i jego dźwiękowe archiwa. Między dziką naturą a ucieleśnioną relacją. Przegląd Kulturoznawczy:1 (51), pages 1-19.
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Lyn M. van Swol, Emma Frances Bloomfield, Chen-Ting Chang & Stephanie Willes. (2021) Fostering climate change consensus: The role of intimacy in group discussions. Public Understanding of Science 31:1, pages 103-118.
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Joanna Dobson & Julia Schauerman. (2021) Transcending Boundaries: The Acousmatic Story in the Anthropocene. Cadernos de arte e antropologia:Vol. 10, No 2, pages 7-23.
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Steven B. Katz. (2020) Sonic Rhetorics as Ethics in Action: Hidden Temporalities of Sound in Language(s). Humanities 9:1, pages 13.
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Christina Rowell & Amy Flick. (2019) “I could get lit to Madonna:” Soundscapes & the First Year Writer’s Composing Process. Computers and Composition 54, pages 102513.
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Maxwell Boykoff. 2019. Creative (Climate) Communications. Creative (Climate) Communications.
Kati Fargo Ahern. (2018) Understanding Learning Spaces Sonically, Soundscaping Evaluations of Place. Computers and Composition 48, pages 22-33.
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Heidi HartHeidi Hart. 2018. Music and the Environment in Dystopian Narrative. Music and the Environment in Dystopian Narrative 1 14 .
Petra Tschakert, Jon Barnett, Neville Ellis, Carmen Lawrence, Nancy Tuana, Mark New, Carmen Elrick‐Barr, Ram Pandit & David Pannell. (2017) Climate change and loss, as if people mattered: values, places, and experiences. WIREs Climate Change 8:5.
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Jan Kunnas. (2017) Storytelling: From the early Anthropocene to the good or the bad Anthropocene. The Anthropocene Review 4:2, pages 136-150.
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Mary E. Hocks & Michelle Comstock. (2017) Composing for Sound: Sonic Rhetoric as Resonance. Computers and Composition 43, pages 135-146.
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