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New Political Science Volume 21, 1999 - Issue 2: Liberation, Imagination and the Black Panther Party
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Original Articles

“Revolutionary art is a tool for liberation'’: Emory Douglas and protest aesthetics at the black panther

Erika Doss University of Colorado, Boulder
Pages 245-259 | Published online: 13 Dec 2007

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Read on this site (2)

Charles Tembo, Allan T. Maganga & Tevedzerai Gijimah. (2022) The intersections of comedy and politics in Zimbabwe: analysing Baba Tencen’s ‘Borderphobia’ and Prosper Ngomashi’s ‘Pastor and his wives’. South African Theatre Journal 35:2, pages 79-97.
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Jacqueline Villarrubia-Mendoza & Roberto Vélez-Vélez. (2017) Iconoclastic Dreams: Interpreting Art in the DREAMers Movement. The Sociological Quarterly 58:3, pages 350-372.
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Articles from other publishers (2)

ANDREW M. FEARNLEY. (2018) THE BLACK PANTHER PARTY'S PUBLISHING STRATEGIES AND THE FINANCIAL UNDERPINNINGS OF ACTIVISM, 1968–1975. The Historical Journal 62:1, pages 195-217.
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Dalila Scruggs. (2018) Activism in Exile: Elizabeth Catlett’s Mask for Whites . American Art 32:3, pages 2-21.
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