4,555
Views
66
CrossRef citations to date
0
Altmetric
Original Articles

Record and Hold: Popular Music between Personal and Collective Memory

Pages 357-374 | Published online: 14 Dec 2006

Keep up to date with the latest research on this topic with citation updates for this article.

Read on this site (15)

Víctor Ávila Torres. (2023) Plasticine Music – or the intimate social life of cultural objects. Journal of Cultural Economy 0:0, pages 1-13.
Read now
Zandivuta Kankhuni & Cecilia Ngwira. (2022) Overland tourists’ natural soundscape perceptions: influences on experience, satisfaction, and electronic word-of-mouth. Tourism Recreation Research 47:5-6, pages 591-607.
Read now
Sabrina Pedrini, Raffaele Corrado & Pier Luigi Sacco. (2022) The power of local networking: Bologna’s music scene as a creative community, 1978–1992. Journal of Urban Affairs 44:4-5, pages 659-682.
Read now
Brigitte Biehl-Missal. (2019) Filling the ‘empty space’: Site-specific dance in a techno club. Culture and Organization 25:1, pages 16-31.
Read now
Ashton Sinamai. (2018) Melodies of God: the significance of the soundscape in conserving the Great Zimbabwe landscape. Journal of Community Archaeology & Heritage 5:1, pages 17-29.
Read now
Brendan R. Watson & Michelle Simin Chen. (2016) @Todayin1963. Journalism Studies 17:8, pages 1010-1029.
Read now
Arno van der Hoeven, Susanne Janssen & Simone Driessen. (2016) Articulations of Identity and Distinction: The Meanings of Language in Dutch Popular Music. Popular Music and Society 39:1, pages 43-58.
Read now
Arno van der Hoeven. (2015) Remembering the 1960s: popular music and memory in Europe. International Journal of Cultural Policy 21:3, pages 258-272.
Read now
Hugh Dauncey & Chris Tinker. (2015) Media, Memory and Nostalgia in Contemporary France: Between Commemoration, Memorialisation, Reflection and Restoration. Modern & Contemporary France 23:2, pages 135-145.
Read now
Amanda Brandellero & Susanne Janssen. (2014) Popular music as cultural heritage: scoping out the field of practice. International Journal of Heritage Studies 20:3, pages 224-240.
Read now
Arno van der Hoeven. (2014) Remembering the popular music of the 1990s: dance music and the cultural meanings of decade-based nostalgia. International Journal of Heritage Studies 20:3, pages 316-330.
Read now
Kirsty Hooper. (2009) THE MANY FACES OF JULIO IGLESIAS: “UN CANTO A GALICIA”, EMIGRATION AND THE NETWORK SOCIETY1 . Journal of Spanish Cultural Studies 10:2, pages 149-166.
Read now

Articles from other publishers (51)

Antonio Benítez-Burraco & Aleksey Nikolsky. (2023) The (Co)Evolution of Language and Music Under Human Self-Domestication. Human Nature 34:2, pages 229-275.
Crossref
Serhat Tutkal. (2022) Comics and the Colombian Peace Process: Neoliberal Discourse and the Risk of Revictimization of Displaced Peasants. Cultural Studies ↔ Critical Methodologies 23:1, pages 62-78.
Crossref
Julia Giese & Emily Keightley. (2022) Dancing through time: A methodological exploration of embodied memories. Memory Studies, pages 175069802211266.
Crossref
Madis Järvekülg & Indrek Ibrus. (2021) Auto-communicative reconstruction of meaningfulness in musical randomness: reclaiming musical order on Facebook. Media, Culture & Society 44:3, pages 549-573.
Crossref
Olivier Bérubé-Sasseville. (2022) Bone in the Throat: Video archiving and identity building within the Montreal hardcore scene. Punk & Post-Punk 11:1, pages 71-85.
Crossref
Lauren Istvandity. (2019) The lifetime soundtrack ‘on the move’: Music, autobiographical memory and mobilities. Memory Studies 15:1, pages 170-183.
Crossref
David S. Waller & Helen J. Waller. (2021) Heritagisation of pop culture by museums and an analysis of visitor feedback. Arts and the Market 11:3, pages 258-274.
Crossref
Gabriel Barth da Silva & Paula Guerra. (2021) Um panorama nublado: a atividade musical como reconstrução identitária. Orfeu 6:1.
Crossref
Marika Lüders . (2019) Pushing music: People’s continued will to archive versus Spotify’s will to make them explore. European Journal of Cultural Studies 24:4, pages 952-969.
Crossref
Oskar Cox Jensen. 2021. The Ballad-Singer in Georgian and Victorian London. The Ballad-Singer in Georgian and Victorian London.
Ali CheshmehzangiAli Cheshmehzangi. 2021. Urban Memory in City Transitions. Urban Memory in City Transitions 61 119 .
Jeanette Østergaard. 2021. Involving Methods in Youth Research. Involving Methods in Youth Research 125 153 .
David Mwambari. (2019) Music and the politics of the past: Kizito Mihigo and music in the commemoration of the genocide against the Tutsi in Rwanda. Memory Studies 13:6, pages 1321-1336.
Crossref
Catherine Loveday, Amy Woy & Martin A Conway. (2020) The self-defining period in autobiographical memory: Evidence from a long-running radio show. Quarterly Journal of Experimental Psychology 73:11, pages 1969-1976.
Crossref
Janieke Bruin-Mollenhorst. (2018) The Musical Eulogy and Other Functions of Funeral Music. OMEGA - Journal of Death and Dying 82:1, pages 25-41.
Crossref
David Kwon. (2020) Imagined as us-American: Patriotic Music, Religion, and Violence Post-9/11. Socio-Historical Examination of Religion and Ministry 2:1, pages 96-120.
Crossref
Emma Harriet Wood & Maarit Kinnunen. (2020) Emotion, memory and re-collective value: shared festival experiences. International Journal of Contemporary Hospitality Management 32:3, pages 1275-1298.
Crossref
Cora S. Palfy. (2020) Formal Reminiscence Space and Memory in Sufjan Stevens’s Storytelling. Music Theory Online 26:1.
Crossref
Rosie Oxbury. (2020) The forms and functions of “Breaking into song” during in-group conversations. Text & Talk 40:2, pages 195-218.
Crossref
Dilek Özhan Koçak. 2020. Handbuch Soziale Praktiken und Digitale Alltagswelten. Handbuch Soziale Praktiken und Digitale Alltagswelten 55 66 .
Kasia Lech. 2020. Migration and Stereotypes in Performance and Culture. Migration and Stereotypes in Performance and Culture 215 234 .
Simone Driessen. (2019) Celebrating nostalgia or critiquing naivety: Reading pop music reunions through discourses of the fan life course. Journal of Fandom Studies, The 7:2, pages 133-150.
Crossref
Christina Goulding & Maud Derbaix. (2019) Consuming material authenticity in the age of digital reproduction. European Journal of Marketing 53:3, pages 545-564.
Crossref
Eerika Finell. (2018) National Identity, Collective Events, and Meaning: A Qualitative Study of Adolescents’ Autobiographical Narratives of Flag Ceremonies in Finland. Political Psychology 40:1, pages 21-36.
Crossref
Toija Cinque & Sean RedmondToija Cinque & Sean Redmond. 2019. The Fandom of David Bowie. The Fandom of David Bowie 87 109 .
Amanda Nell Edgar & Keven James Rudrow. (2018) “I Think of Him as an Ancestor”: Tupac Shakur Fans and the Intimacy of Pop Cultural Heritage. Communication, Culture and Critique 11:4, pages 642-658.
Crossref
Lisa Ellen Silvestri. (2018) Memeingful memories and the art of resistance. New Media & Society 20:11, pages 3997-4016.
Crossref
Carolyn Birdsall & Danielle Drozdzewski. (2017) Capturing commemoration: Using mobile recordings within memory research. Mobile Media & Communication 6:2, pages 266-284.
Crossref
Arno van der Hoeven. (2015) Narratives of popular music heritage and cultural identity: The affordances and constraints of popular music memories. European Journal of Cultural Studies 21:2, pages 207-222.
Crossref
Daragh O’Reilly, Kathy Doherty, Elizabeth Carnegie & Gretchen Larsen. (2017) Cultural memory and the heritagisation of a music consumption community. Arts and the Market 7:2, pages 174-190.
Crossref
Leonieke Bolderman & Stijn Reijnders. (2016) Have you found what you’re looking for? Analysing tourist experiences of Wagner’s Bayreuth, ABBA’s Stockholm and U2’s Dublin. Tourist Studies 17:2, pages 164-181.
Crossref
Nadia Molek. (2017) “Songs from the homeland” – popular music performance among descendants of Slovenian refugees in Argentina: The case of “Slovenski Instrumentalni Ansambel”. Two Homelands:46.
Crossref
Dilek Özhan Koçak. 2017. Handbuch Soziale Praktiken und Digitale Alltagswelten. Handbuch Soziale Praktiken und Digitale Alltagswelten 1 13 .
Peter GrantPeter Grant. 2017. National Myth and the First World War in Modern Popular Music. National Myth and the First World War in Modern Popular Music 49 65 .
Ulrik Volgsten & Oscar Pripp. (2016) Music, Memory, and Affect Attunement: Connecting Kurdish Diaspora in Stockholm. Culture Unbound 8:2, pages 144-164.
Crossref
이정훈. (2016) Pragmatic Purpose and Progressive View of History: The Latest Trends of American Journalism History, 2005∼2014. Journal of Communication Research 53:2, pages 48-84.
Crossref
Ben Green. (2015) ‘I Always Remember That Moment’: Peak Music Experiences as Epiphanies. Sociology 50:2, pages 333-348.
Crossref
Monika PalmbergerMonika Palmberger. 2016. How Generations Remember. How Generations Remember 127 164 .
Andy Bennett & Ian RogersAndy Bennett & Ian Rogers. 2016. Popular Music Scenes and Cultural Memory. Popular Music Scenes and Cultural Memory 37 59 .
Arno van der Hoeven & Amanda Brandellero. (2015) Places of popular music heritage: The local framing of a global cultural form in Dutch museums and archives. Poetics 51, pages 37-53.
Crossref
Tomi Nokelainen & Ozgur Dedehayir. (2015) Technological adoption and use after mass market displacement: The case of the LP record. Technovation 36-37, pages 65-76.
Crossref
Clara Gustafsson. (2015) Sonic branding: A consumer-oriented literature review. Journal of Brand Management 22:1, pages 20-37.
Crossref
Hugh Dauncey & Chris Tinker. (2014) Popular Music Nostalgia. Volume !:11 : 1, pages 8-17.
Crossref
Hugh Dauncey & Chris Tinker. (2014) La Nostalgie dans les musiques populaires. Volume !:11 : 1, pages 7-17.
Crossref
Lisa Gilman. (2013) Troupes hors-sol : musique, espace et mémoire dans la guerre en Irak. Volume !:10 : 1, pages 171-190.
Crossref
Lisa Gilman. (2013) Grounding the Troops: Music, Place, and Memory in the Iraq WarTroupes hors-sol : musique, espace et mémoire dans la guerre en Irak. Volume !:10 : 1, pages 172-190.
Crossref
Elfriede Fürsich & Roberto Avant-Mier. (2012) Popular journalism and cultural change: The discourse of globalization in world music reviews. International Journal of Cultural Studies 16:2, pages 101-118.
Crossref
Julia R. Lippman & Dara N. Greenwood. (2012) A Song to Remember. Journal of Adolescent Research 27:6, pages 751-774.
Crossref
Chris Tinker. (2012) ?ge tendre et t?tes de bois : Nostalgia, television and popular music in contemporary France . French Cultural Studies 23:3, pages 239-255.
Crossref
Motti Neiger, Oren Meyers & Eyal Zandberg. (2011) Tuned to the nation’s mood: Popular music as a mnemonic cultural object. Media, Culture & Society 33:7, pages 971-987.
Crossref
Young Sik Kim, Kibeom Lee & "Steve" Sangki Han. (2009) Study on Collective Memory in the Blogosphere. Study on Collective Memory in the Blogosphere.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.