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Conversation and Commentary

The Traffic in Men and the Fatal Attraction of Postfeminist Masculinity

Pages 113-131 | Published online: 20 Nov 2013

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Read on this site (6)

Greg Wolfman, Jeff Hearn & Tray Yeadon-Lee. (2021) Hollow femininities: the emerging faces of neoliberal masculinities. NORMA 16:4, pages 217-234.
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C. Wesley Buerkle. (2019) Adam Mansplains Everything: White-Hipster Masculinity as Covert Hegemony. Southern Communication Journal 84:3, pages 170-182.
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Melissa Zimdars. (2018) Having it both ways: Two and a Half Men, Entourage, and televising post-feminist masculinity. Feminist Media Studies 18:2, pages 278-293.
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SuzanneM. Daughton. (2010) “Cursed with Self-Awareness”: Gender-Bending, Subversion, and Irony in Bull Durham . Women's Studies in Communication 33:2, pages 96-118.
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Articles from other publishers (27)

Klara Goedecke. (2021) Feeling rules and sexualities: Postfeminist men in Swedish television. European Journal of Cultural Studies 25:4, pages 1083-1098.
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Klara Goedecke. (2021) “Be Soft”: Irony, Postfeminism, and Masculine Positions in Swedish Sport Betting Commercials. Men and Masculinities 24:5, pages 802-822.
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Hannah Hamad. (2018) The One with the Feminist Critique: Revisiting Millennial Postfeminism with Friends . Television & New Media 19:8, pages 692-707.
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Michelle Rodino-Colocino, Lauren J. DeCarvalho & Aaron Heresco. (2017) Neo-Orthodox Masculinities on Man Caves . Television & New Media 19:7, pages 626-645.
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Nick Rumens. (2017) Postfeminism, Men, Masculinities and Work: A Research Agenda for Gender and Organization Studies Scholars. Gender, Work & Organization 24:3, pages 245-259.
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Hannah Hamad. 2013. Postfeminism and Contemporary Hollywood Cinema. Postfeminism and Contemporary Hollywood Cinema 99 115 .
Sarah Kornfield. (2012) The E-man-ci-pation of Jeannie: Feminist Doppelgangers on U.S. Television. Communication, Culture & Critique 5:3, pages 445-462.
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Suzanne Leonard & Bailey Ray. 2012. Screening the Dark Side of Love. Screening the Dark Side of Love 181 195 .
Jessica Johnston & Cornelia Sears. (2011) The Stepford Wives and the Technoscientific Imaginary . Extrapolation 52:1, pages 75-93.
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