Citations (19)
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Jennifer Keohane. (2023) Home/Work: The Rhetoricity of Commemorative Labor at the Belmont-Paul House. Western Journal of Communication 87:1, pages 130-149.
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Majia Nadesan & Linda Kim. (2022) The Geopolitics of Public Memory: The Challenge and Promise of Transnational Comfort Women Activism. Women's Studies in Communication 45:2, pages 123-142.
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Courtney Joshua, Kevin Walby & Justin Piché. (2021) Skirts, Stereotypes, and Silences: Representations of Women in Canadian Police Museums. Women & Criminal Justice 31:5, pages 391-405.
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Andrew F. Wood. (2020) Haunting Ruins in a Western Ghost Town: Authentic Violence and Recursive Gaze at Bodie, California. Western Journal of Communication 84:4, pages 439-456.
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Lebogang Mokwena. (2020) Along the museological grain: An exploration of the (geo)political inheritance in Isishweshwe Story: Material Women?. African Studies 79:3, pages 305-322.
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Greg Dickinson. (2020) Space, Place, and the Textures of Rhetorical Criticism. Western Journal of Communication 84:3, pages 297-313.
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Marie Kruger. (2019) Commemorating the past in the urban present: Living heritage on Constitution Hill/Johannesburg. African Studies 78:4, pages 539-567.
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Julia Khrebtan-Hörhager. (2019) Venice Biennale: The Art of Communicating Resistance, Resistance as Art. Journal of Intercultural Communication Research 48:4, pages 435-457.
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Bryan J. McCann. (2019) Live, virtual, and spectral: being present at the prison (tour). Text and Performance Quarterly 39:2, pages 95-115.
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Kate Siegfried. (2019) Feeling Collective: The Queer Politics of Affect in the Riot Grrrl Movement. Women's Studies in Communication 42:1, pages 21-38.
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Kim Miller. (2018) “The Walls Are So Silent”: Spaces of Confinement and Gendered Meanings of Incarceration in South African Commemorative Art. de arte 53:2-3, pages 122-141.
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Jennifer Keohane. (2017) “The Most Important Dress in the Country”: The Rhetoric of Glamour in the Smithsonian’s “The First Ladies”. Women's Studies in Communication 40:3, pages 270-288.
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Michaela Frischherz. (2015) Affective Agency and Transformative Shame: The Voices Behind The Great Wall of Vagina. Women's Studies in Communication 38:3, pages 251-272.
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Brook Adams. (2014) Visual Style and the Looking Subject: Nell Brinkley’s Illustrations of Modern Womanhood. Women's Studies in Communication 37:1, pages 90-110.
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Articles from other publishers (5)
Julia Khrebtan-Hörhager. (2018) Musée du Quai Branly: The Heart of Darkness in la Cité de la Lumière. Communication, Culture and Critique 11:2, pages 315-340.
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Meighen Katz. 2017. The Palgrave Handbook of Prison Tourism. The Palgrave Handbook of Prison Tourism
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Ashley Chen, Sarah Fiander, Justin Piché & Kevin Walby. (2016) Captive and Captor Representations at Canadian Penal History Museums. Qualitative Sociology Review 12:4, pages 22-42.
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Kevin Walby & Justin Piché. (2015) Staged authenticity in penal history sites across Canada. Tourist Studies 15:3, pages 231-247.
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Chaim Noy. (2014) Staging portraits: Tourism’s panoptic photo-industry. Annals of Tourism Research 47, pages 48-62.
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