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Women's Studies in Communication Volume 40, 2017 - Issue 3
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ARTICLES

It Follows and Rape Culture: Critical Response as Disavowal

Leslie A. HahnerDepartment of Communication, Baylor University, Waco, Texas, USACorrespondence[email protected]
&
Scott J. VardaDepartment of Communication, Baylor University, Waco, Texas, USA
Pages 251-269 | Published online: 31 Jul 2017

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Read on this site (4)

Mick B. Brewer. (2023) And Just Like That … misogyny reigns supreme: disciplining womanhood in the critical framings of Sex and the City’s new chapter. Critical Studies in Media Communication 0:0, pages 1-15.
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Lindsey E. Blumell & Dinfin Mulupi. (2022) “A Playing Field Where Patriarchy Plays”: Addressing Sexism in South African and Nigerian Newsrooms. Journalism Practice 16:4, pages 582-602.
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Leland G. Spencer. (2020) Performative neutrality and rape culture in Naomi Iizuka’s Good Kids. Text and Performance Quarterly 40:3, pages 211-230.
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Joseph Barbera. (2019) The Id follows: It Follows (2014) and the existential crisis of adolescent sexuality. The International Journal of Psychoanalysis 100:2, pages 393-404.
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Articles from other publishers (2)

Jeffrey Andrew Weinstock. (2020) What is IT? Ambient dread and modern paranoia in It (2017), It Follows (2014) and It Comes at Night (2017). Horror Studies 11:2, pages 205-220.
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Stacy Rusnak. 2020. Final Girls, Feminism and Popular Culture. Final Girls, Feminism and Popular Culture 115 133 .

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