Advanced search
Publication Cover
Contemporary Music Review Volume 19, 2000 - Issue 2: Music: Techniques, Aesthetics and Music
Submit an article Journal homepage
1,341
Views
14
CrossRef citations to date
0
Altmetric
Appendix I

Guide to the basic concepts and techniques of spectral music

Joshua Fineberg
Pages 81-113 | Published online: 20 Aug 2009

Citations (14)

Keep up to date with the latest research on this topic with citation updates for this article.

Subscribe to citation updates

Read on this site (2)

RobertA. Wannamaker. (2008) The spectral music of James Tenney. Contemporary Music Review 27:1, pages 91-130.
Read now
Lei Liang. (2007) Colliding resonances: The music of Xiaoyong Chen. Contemporary Music Review 26:5-6, pages 529-545.
Read now

Articles from other publishers (12)

Christoph Haffter. 2023. Musikalischer Materialismus. Musikalischer Materialismus.
Gabriel José Bolaños Chamorro. (2021) An Analysis of Jonathan Harvey’s Speakings for Orchestra and Electronics. Ricercare:13, pages 72-107.
Crossref
Torsten Anders. 2021. Handbook of Artificial Intelligence for Music. Handbook of Artificial Intelligence for Music 283 326 .
José L. Besada & Cristóbal Pagán Cánovas. (2020) Timelines in Spectral Composition: A cognitive approach to musical creativity. Organised Sound 25:2, pages 142-155.
Crossref
Mark Hutchinson. (2019) STAIRWAYS IN THE DARK: SOUND, SYNTAX AND THE SUBLIME IN HAAS'S IN VAIN. Tempo 73:288, pages 7-25.
Crossref
Martin Suckling. (2018) RĂDULESCU: THE OTHER SPECTRALIST. Tempo 72:285, pages 20-40.
Crossref
JAMES O'CALLAGHAN. (2018) Spectral Music and the Appeal to Nature. Twentieth-Century Music 15:1, pages 57-73.
Crossref
Lasse Laursen. (2016) Orchestration Strategies in Simon Steen-Andersen’s Double Up . Music Theory Online 22:3.
Crossref
Mike Ford. (2015) Processes of spectralization: From Josquin's Missa "L'homme armé" Super Voces Musicales to Haas's Tria ex Uno. Musicologica Olomucensia 22:1, pages 7-23.
Crossref
James O’Callaghan. (2015) Mimetic Instrumental Resynthesis. Organised Sound 20:2, pages 231-240.
Crossref
Bryan Christian. (2014) Combination-Tone Class Sets and Redefining the Role of les Couleurs in Claude Vivier’s Bouchara . Music Theory Online 20:2.
Crossref
. 2012. The Cambridge History of Musical Performance. The Cambridge History of Musical Performance.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Order Reprints Request Corporate Permissions

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

Request Academic Permissions

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.

Related research

People also read lists articles that other readers of this article have read.

Recommended articles lists articles that we recommend and is powered by our AI driven recommendation engine.

Cited by lists all citing articles based on Crossref citations.
Articles with the Crossref icon will open in a new tab.