Citations: Haptic sensation and instrumental transgression

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Citations (7)

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Read on this site (2)

Lauren Hayes. (2013) Haptic Augmentation of the Hybrid Piano. Contemporary Music Review 32:5, pages 499-509.
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Jonas Braasch. (2009) The Telematic Music System: Affordances for a New Instrument to Shape the Music of Tomorrow. Contemporary Music Review 28:4-5, pages 421-432.
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Articles from other publishers (5)

Robert Jack, Tony Stockman & Andrew McPherson. (2016) Navigation of Pitch Space on a Digital Musical Instrument with Dynamic Tactile Feedback. Navigation of Pitch Space on a Digital Musical Instrument with Dynamic Tactile Feedback.

Taru Leppänen. (2011) Babies, Music and Gender: Music Playschools in Finland as Multimodal Participatory Spaces. Policy Futures in Education 9:4, pages 474-484.
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Franziska Schroeder & Pedro Rebelo. (2009) The Pontydian Performance: the performative layer. Organised Sound 14:2, pages 134-141.
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Anne Cranny-Francis. (2008) From extension to engagement: mapping the imaginary of wearable technology. Visual Communication 7:3, pages 363-382.
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Franziska Schroeder & Pedro Rebelo. (2006) Wearable music in engaging technologies. AI & SOCIETY 22:1, pages 85-91.
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