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Original Articles

Kinaesonics: The intertwining relationship of body and sound

Pages 47-57 | Published online: 22 Aug 2006

Keep up to date with the latest research on this topic with citation updates for this article.

Read on this site (7)

Brian M. Knoth & Emily Beattie. (2018) Movement signals and narrative noise: the development and performance of Antennae (v.2). International Journal of Performance Arts and Digital Media 14:1, pages 84-106.
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Giuseppe Torre. (2015) A journey towards the development of a sound-led interdisciplinary performance: Agorá. International Journal of Performance Arts and Digital Media 11:1, pages 82-99.
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Deniz Peters. (2013) Haptic Illusions and Imagined Agency: Felt Resistances in Sonic Experience. Contemporary Music Review 32:2-03, pages 151-164.
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Julie Wilson-Bokowiec. (2012) Future voices of digital opera: Re-imagining the diva. International Journal of Performance Arts and Digital Media 8:1, pages 79-92.
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Julie Wilson-Bokowiec. (2010) Physicality: The techne of the physical in interactive digital performance. International Journal of Performance Arts and Digital Media 6:1, pages 61-75.
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Johannes Birringer & Michèle Danjoux. (2009) Wearable performance. Digital Creativity 20:1-2, pages 95-113.
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Johannes Birringer. (2008) After Choreography. Performance Research 13:1, pages 118-122.
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Articles from other publishers (5)

David G. Berezan & Costas I. Karageorghis. (2023) SoundRunner: Out of the Starting Blocks. Leonardo 56:4, pages 411-417.
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Julian Whittam. (2015) Music, Multimedia and Spectacle: The one-man band and audience relationships in the digital age. Organised Sound 20:3, pages 349-356.
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Mary Mainsbridge. (2014) Non-tactile Gestural Control in Musical Performance. Non-tactile Gestural Control in Musical Performance.
Pia M. Vinken, Daniela Kröger, Ursula Fehse, Gerd Schmitz, Heike Brock & Alfred O. Effenberg. (2013) Auditory Coding of Human Movement Kinematics. Multisensory Research 26:6, pages 533-552.
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Karen Collins. (2011) Making gamers cry. Making gamers cry.

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