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Original Articles

The voice as transcursive inscriber: The relation of body and instrument understood through the workings of a machine

Pages 131-138 | Published online: 22 Aug 2006

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Read on this site (1)

Pedro Rebelo. (2010) Notating the Unpredictable. Contemporary Music Review 29:1, pages 17-27.
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Articles from other publishers (3)

Anna Einarsson. (2017) Experiencing Responsive Technology in a Mixed Work: Interactive music as embodied and situated activity. Organised Sound 22:3, pages 418-427.
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Jean Penny. (2011) Flutes, Voices and Maskenfreiheit : Traversing performative layers . Organised Sound 16:2, pages 184-191.
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Franziska Schroeder & Pedro Rebelo. (2009) The Pontydian Performance: the performative layer. Organised Sound 14:2, pages 134-141.
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