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Contemporary Music Review Volume 25, 2006 - Issue 5-6
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Miscellany

Improvisation in the Sonosphere

Pauline Oliveros
Pages 481-482 | Published online: 08 Jan 2007

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Read on this site (2)

Theodore Gordon. (2021) ‘Androgynous Music’: Pauline Oliveros’s Early Cybernetic Improvisation. Contemporary Music Review 40:4, pages 386-408.
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Iain Campbell. (2020) Sound’s Matter: ‘Deleuzian Sound Studies’ and the Problems of Sonic Materialism. Contemporary Music Review 39:5, pages 618-637.
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Articles from other publishers (5)

Wang Jing. (2022) Electroacoustic Improvisation and Life Nourishment. Organised Sound, pages 1-8.
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Lisbeth A. Lipari. 2020. The Handbook of Listening. The Handbook of Listening 27 40 .
Hannah Reardon-Smith, Louise Denson & Vanessa Tomlinson. (2020) FEMINISTING FREE IMPROVISATION. Tempo 74:292, pages 10-20.
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Åshild Sunde Feyling Thorsen. (2018) Å høre helbredende lyd. Norsk antropologisk tidsskrift 29:3-4, pages 165-178.
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Pauline Oliveros. (2011) Auralizing in the Sonosphere: A Vocabulary for Inner Sound and Sounding. Journal of Visual Culture 10:2, pages 162-168.
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