Between Mobility and Stability: Earle Brown's Compositional ProcessFootnote1
[1] I would like to express my sincere gratitude and to acknowledge my deep indebtedness to the Schillinger scholar Lou Pine, who has been guiding my work for many years and to whom I owe access to many materials and documents. His interview with Earle Brown from 24 March 1996 has become the foundation for my research for this article. The last section of the article is re-written from the paper Earle Brown and the Schillinger System of musical composition, which was originally co-created with Mr Pine and presented at the Society for American Music's thirty-first national conference in Eugene, Oregon in 2005.

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Louis Pine. (2011) Conversation with Earle Brown about Constructivism and Schillinger's System of Musical Composition. Contemporary Music Review 30:2, pages 167-178.
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Charles Patrick Martin, Alexander Hunter, Brent Schuetze & Yichen Wang. (2023) Composing Interface Connections for a Networked Touchscreen Ensemble. Composing Interface Connections for a Networked Touchscreen Ensemble.

Drake Andersen. (2020) (Per)forming Open Form: A Case Study with Earle Brown’s Novara . Music Theory Online 26:3.
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Lindsay Vickery. (2012) The Evolution of Notational Innovations from the Mobile Score to the Screen Score. Organised Sound 17:2, pages 128-136.
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