Citations (10)
Keep up to date with the latest research on this topic with citation updates for this article.
Read on this site (3)
Billy Badger. (2023) Hainbach and the Sound of Destruction. Musicology Australia 45:1, pages 1-21.
Read now
Read now
Simran Singh. (2021) ‘Just be Easy, Feel the Music’ – Branding in the Musical and Social Life of Kampala’s Hip-hop Scene. Eastern African Literary and Cultural Studies 7:4, pages 285-302.
Read now
Read now
Niyi Akingbe & Paul Ayodele Onanuga. (2020) ‘Voicing Protest’: Performing Cross-Cultural Revolt in Gambino's ‘This is America’ and Falz's ‘This is Nigeria’. Contemporary Music Review 39:1, pages 6-36.
Read now
Read now
Articles from other publishers (7)
Jaspal Naveel Singh & Cameron Martin Campbell. (2021)
The Enregisterment of
Esh
in Global Beatboxing Culture
. Journal of Linguistic Anthropology 32:2, pages 408-430.
Crossref
Crossref
Jeff Wragg. (2022) Playing with medium: Intertextuality and phonomatic transformation. Popular Music 41:1, pages 97-111.
Crossref
Crossref
Katherine McKittrick. 2021. Dear Science and Other Stories. Dear Science and Other Stories
193
209
.
Scott Luderman. (2021) From Op shops to hip-hop: utilising used vinyl records to create a loop library. Popular Music 39:3-4, pages 694-701.
Crossref
Crossref
Michail Exarchos. (2019) Sample magic: (conjuring) phonographic ghosts and meta-illusions in contemporary hip-hop production. Popular Music 38:01, pages 33-53.
Crossref
Crossref
TIM SUMMERS. (2018)
Music and Transmediality: The Multi-Media Invasion of
Jeff Wayne's Musical Version of The War of the Worlds
. Twentieth-Century Music 15:2, pages 231-258.
Crossref
Crossref
Charles Fairchild. (2017) The emergence and historical decay of the mash up. Journal of Popular Music Studies 29:4, pages e12246.
Crossref
Crossref