Citations: EMAS and Sonic Arts Network (1979–2004): Gender, Governance, Policies, Practice

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Danielle Sofer. (2020) Categorising Electronic Music. Contemporary Music Review 39:2, pages 231-251.
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Danielle Sofer. (2018) Breaking Silence, Breaching Censorship: “Ongoing Interculturality” in Alice Shields’s Electronic Opera Apocalypse . American Music 36:2, pages 135-162.
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Frances Morgan. (2017) Pioneer Spirits: New media representations of women in electronic music history. Organised Sound 22:2, pages 238-249.
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EMAS and Sonic Arts Network (1979–2004): Gender, Governance, Policies, Practice

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EMAS and Sonic Arts Network (1979–2004): Gender, Governance, Policies, Practice

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