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Articles

Recalibrating Fundamentals of Discipline and Desire Through the Automatic Music Tent

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Hannah Bosma. (2016) Gender and Technological Failures in Glitch Music. Contemporary Music Review 35:1, pages 102-114.
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Marie Thompson. (2016) Feminised Noise and the ‘Dotted Line’ of Sonic Experimentalism. Contemporary Music Review 35:1, pages 85-101.
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Danielle Sofer. (2017) The Macropolitics of Microsound: Gender and sexual identities in Barry Truax’s Song of Songs . Organised Sound 23:1, pages 80-90.
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