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Contemporary Music Review Volume 40, 2021 - Issue 1: Taking Taylor Seriously

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TikTok, Twitter, and Platform-Specific Technocultural Discourse in Response to Taylor Swift’s LGBTQ+ Allyship in ‘You Need to Calm Down’

Melissa K. Avdeeff

https://orcid.org/0000-0003-2474-6053 View further author information

Pages 78-98 | Published online: 16 Jul 2021

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https://doi.org/10.1080/07494467.2021.1945225
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Citations (7)

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Read on this site (5)

Shiv Issar. (2023) The Social Construction of Algorithms in Everyday Life: Examining TikTok Users’ Understanding of the Platform’s Algorithm. International Journal of Human–Computer Interaction 0:0, pages 1-15.
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Annelies Fryberger, José L. Besada & Zubin Kanga. (2022) @Newmusic #Soundart: Contemporary Music in the Age of Social Media. Contemporary Music Review 41:4, pages 329-336.
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Simone Driessen. (2022) Look what you made them do: understanding fans’ affective responses to Taylor Swift’s political coming-out. Celebrity Studies 13:1, pages 93-96.
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Mary Fogarty & Gina Arnold. (2021) Are You Ready for It? Re-Evaluating Taylor Swift. Contemporary Music Review 40:1, pages 1-10.
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Eric Smialek. (2021) Who Needs to Calm Down? Taylor Swift and Rainbow Capitalism. Contemporary Music Review 40:1, pages 99-119.
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Articles from other publishers (2)

Merve Genç. (2023) #NotDying4Wallstreet: A Discourse Analysis on Health vs. Economy during COVID-19. Societies 13:2, pages 22.
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Tao Wei & Xiaohong Wang. (2022) A Historical Review and Theoretical Mapping on Short Video Studies 2005–2021. Online Media and Global Communication 1:2, pages 247-286.
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