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Contemporary Music Review Volume 7, 1993 - Issue 2: Time in Contemporary Musical Thought
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Part I

Repetition

John Rahn University of Washington, Seattle, USA
Pages 49-57 | Published online: 21 Aug 2009

Citations (11)

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Juan Diego Diaz. (2017) Between repetition and variation: a musical performance of malícia in capoeira. Ethnomusicology Forum 26:1, pages 46-68.
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Articles from other publishers (10)

Andrew J Chung. (2022) Music Theory Splintered Up, Not Broken Down: The Oxford Handbook of Critical Concepts in Music Theory. Edited by Alexander Rehding and Steven Rings. Music Theory Spectrum 44:1, pages 173-186.
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Mariusz Kozak. (2021) Anne Teresa De Keersmaeker’s Violin Phase and the Experience of Time, or Why Does Process Music Work? . Music Theory Online 27:2.
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Antares Boyle, Rebecca Leydon, Paul Sherrill & Jeffrey Swinkin. (2021) Review of The Oxford Handbook of Critical Concepts in Music Theory , edited by Alexander Rehding and Steven Rings (Oxford University Press, 2019) . Music Theory Online 27:1.
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Jess Rowland, Anna Kasdan & David Poeppel. (2018) There is music in repetition: Looped segments of speech and nonspeech induce the perception of music in a time-dependent manner. Psychonomic Bulletin & Review 26:2, pages 583-590.
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Fernando Benadon, Andrew McGraw & Michael Robinson. (2018) Quantitative analysis of temporal structure in Cuban guaguancó drumming. Music & Science 1, pages 205920431878264.
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Michael Tenzer. (2011) Generalized Representations of Musical Time and Periodic Structures. Ethnomusicology 55:3, pages 369-386.
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Michael Tenzer. (2010) Africa Stand Up!—and Be Counted Among Others. Music Theory Online 16:4.
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John Rahn. 2009. Mathematics and Computation in Music. Mathematics and Computation in Music 289 302 .
Dora A. Hanninen. (2003) A Theory of Recontextualization in Music: Analyzing Phenomenal Transformations of Repetition. Music Theory Spectrum 25:1, pages 59-97.
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Tom Holert. 1998. Dasselbe noch einmal: Die Ästhetik der Wiederholung. Dasselbe noch einmal: Die Ästhetik der Wiederholung 215 228 .

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