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ARTICLES

Amateur Group Singing as a Therapeutic Instrument

Pages 18-32 | Published online: 10 Jul 2009

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Read on this site (9)

Kamlesh Singh, Suman Sigroha, Dalbir Singh & Bharti Shokeen. (2017) Religious and spiritual messages in folk songs: a study of women from rural India. Mental Health, Religion & Culture 20:5, pages 464-477.
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Dimitra Kokotsaki & Susan Hallam. (2011) The perceived benefits of participative music making for non-music university students: a comparison with music students. Music Education Research 13:2, pages 149-172.
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Jane W. Davidson & Robert Faulkner. (2010) Meeting in music: The role of singing to harmonise carer and cared for. Arts & Health 2:2, pages 164-170.
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Dimitra Kokotsaki & Susan Hallam. (2007) Higher education music students’ perceptions of the benefits of participative music making. Music Education Research 9:1, pages 93-109.
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Kari Bjerke Batt-Rawden, Tia DeNora & Even Ruud. (2005) Music Listening and Empowerment in Health Promotion: A Study of the Role and Significance of Music in Everyday Life of the Long-term Ill. Nordic Journal of Music Therapy 14:2, pages 120-136.
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Articles from other publishers (32)

Debbie Anglade, Mary A Kauffman, Karina A Gattamorta, Sameena F Sheikh-Wu & Roberto L Roman Laporte. (2023) Cancer Survivors’ Resilience During COVID-19 and Virtual Community-Based Choral Singing: A Feasibility Study. Music Therapy Perspectives.
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Tamar Hadar, Nina Politimou & Fabia Franco. (2023) Comparing the benefits of parent–infant flute and singing groups for communication and parenting: A feasibility study. Psychology of Music.
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Soo Yon Yi & Aimee Jeehae Kim. (2023) Implementation and Strategies of Community Music Activities for Well-Being: A Scoping Review of the Literature. International Journal of Environmental Research and Public Health 20:3, pages 2606.
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Susan Hallam & Evangelos Himonides. 2022. The Power of Music. The Power of Music.
Hannah Quigley & Raymond MacDonald. (2022) A qualitative study of an online Makaton choir for individuals with learning difficulties. International Journal of Community Music 15:1, pages 65-94.
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Lea Wierød Borčak. 2021. Words, Music, and the Popular. Words, Music, and the Popular 133 153 .
Hyeonjung Lee, Binna Kang & Soo Ji Kim. (2020) A comparison of the perceptual-auditory voice quality evaluation (GRBAS) and voice-related quality of life (K-VRQOL) according to choir type of elderly women choir members*. Phonetics and Speech Sciences 12:2, pages 51-61.
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Erin R Murphy & Amanda S Alexander. (2020) The ‘Collective Voice that Could Change the World’: A Qualitative Interpretive Meta-Synthesis of Arts-Based Programming for Adults Experiencing Homelessness. The British Journal of Social Work 50:1, pages 157-175.
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Victoria J. Williamson & Michael Bonshor. (2019) Wellbeing in Brass Bands: The Benefits and Challenges of Group Music Making. Frontiers in Psychology 10.
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Jane Gosine & Ray Travasso. (2018) Building community through song: The therapeutic hospice choir. British Journal of Music Therapy 32:1, pages 18-26.
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Anabela Pires, Iolanda Costa Galinha & Afonso de Herédia. (2018) Estudo experimental: Impacto de grupos de canto no bem-estar subjetivo de seniores. Psychology, Community & Health 6:1, pages 186-200.
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Kari Bjerke Batt-Rawden. 2018. Music and Public Health. Music and Public Health 215 235 .
Anna Maria Dyrstad, Arve Almvik, Ottar Bjerkeset & Ottar Ness. (2017) Korsang som recovery-fremmende tiltak for personer med psykiske helseplager [Choral singing as a recovery-promoting intervention: A qualitative study]. Scandinavian Psychologist 4.
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L. Francesca Scalas, Herbert W. Marsh, Walter Vispoel, Alexandre J. S. Morin & Zhonglin Wen. (2016) Music self-concept and self-esteem formation in adolescence: A comparison between individual and normative models of importance within a latent framework. Psychology of Music 45:6, pages 763-780.
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Juyoung Lee & Jane W. Davidson. (2017) Music’s Role in Facilitating the Process of Healing—A Thematic Analysis. Religions 8:9, pages 184.
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Nick Alan Joseph Stewart & Adam Jonathan Lonsdale. (2016) It’s better together: The psychological benefits of singing in a choir. Psychology of Music 44:6, pages 1240-1254.
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Mirella J Hopper, Suzi Curtis, Suzanne Hodge & Rebecca Simm. (2016) A qualitative study exploring the effects of attending a community pain service choir on wellbeing in people who experience chronic pain. British Journal of Pain 10:3, pages 124-134.
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Felicity A. Baker. (2013) What about the music? Music therapists’ perspectives on the role of music in the therapeutic songwriting process. Psychology of Music 43:1, pages 122-139.
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Lillian Eyre & Jin-Hyung Lee. (2015) Mixed-Methods Survey of Professional Perspectives of Music Therapy Practice in Mental Health. Music Therapy Perspectives 33:2, pages 162-181.
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Scott MacDonald. (2015) Client Experiences in Music Therapy in the Psychiatric Inpatient Milieu. Music Therapy Perspectives 33:2, pages 108-117.
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TanChyuan Chin & Nikki S. Rickard. (2013) Emotion regulation strategy mediates both positive and negative relationships between music uses and well-being. Psychology of Music 42:5, pages 692-713.
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Jane W Davidson, Beverley McNamara, Lorna Rosenwax, Andrea Lange, Sue Jenkins & Gill Lewin. (2014) Evaluating the potential of group singing to enhance the well-being of older people. Australasian Journal on Ageing 33:2, pages 99-104.
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Marianne Judd & Julie Ann Pooley. (2013) The psychological benefits of participating in group singing for members of the general public. Psychology of Music 42:2, pages 269-283.
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Genevieve A. Dingle, Christopher Brander, Julie Ballantyne & Felicity A. Baker. (2012) ‘To be heard’: The social and mental health benefits of choir singing for disadvantaged adults. Psychology of Music 41:4, pages 405-421.
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Anne E K Roberts & Maria Daniela Farrugia. (2013) The Personal Meaning of Music Making to Maltese Band Musicians. British Journal of Occupational Therapy 76:2, pages 94-100.
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Felicity A. Baker. (2013) Front and center stage: Participants performing songs created during music therapy. The Arts in Psychotherapy 40:1, pages 20-28.
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June Boyce-Tillman. (2012) Music and the Dignity of Difference. Philosophy of Music Education Review 20:1, pages 25-44.
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Jan PascalNicole JohnsonCarol DoreRobyn Trainor. (2010) The Lived Experience of Doing Phenomenology. Qualitative Social Work 10:2, pages 172-189.
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Hyun Ju Chong. (2010) Do we all enjoy singing? A content analysis of non-vocalists? attitudes toward singing. The Arts in Psychotherapy 37:2, pages 120-124.
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Jane Cronin-Davis, Alan Butler & Christine A Mayers. (2009) Occupational Therapy and Interpretative Phenomenological Analysis: Comparable Research Companions?. British Journal of Occupational Therapy 72:8, pages 332-338.
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Jane W. Davidson. (2007) The Activity and Artistry of Solo Vocal Performance: Insights from Investigative Observations and Interviews with Western Classical Singers. Musicae Scientiae 11:2_suppl, pages 109-140.
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Betty A. BaileyJane W. Davidson. (2016) Effects of group singing and performance for marginalized and middle-class singers. Psychology of Music 33:3, pages 269-303.
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