Citations (12)
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Read on this site (7)
Muriel Swijghuisen Reigersberg, Simon McKerrell & Aaron Corn. (2022) Valuing and evaluating musical practice as research in ethnomusicology and its implications for research assessment. Ethnomusicology Forum 31:1, pages 28-49.
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Clint Bracknell & Linda Barwick. (2020) The Fringe or the Heart of Things? Aboriginal and Torres Strait Islander Musics in Australian Music Institutions. Musicology Australia 42:2, pages 70-84.
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Aaron Corn. (2020) The Aboriginal Artists Agency and the Prominence of Indigenous Music and Dance in the Growth of the Australian Arts Industry. Musicology Australia 42:2, pages 215-230.
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Calista Yeoh & Myfany Turpin. (2018) An Aboriginal Women’s Song from Arrwek, Central Australia. Musicology Australia 40:2, pages 101-126.
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Aaron Corn & Marcia Langton. (2018) A Post-mortem of a Pulped Book: Making Sense of the Missed Opportunities of Deadly Woman Blues. Musicology Australia 40:1, pages 63-72.
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Clint Bracknell. (2015) ‘Say You’re a Nyungarmusicologist’: Indigenous Research and Endangered Song. Musicology Australia 37:2, pages 199-217.
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Articles from other publishers (5)
Catherine Grant. 2021. No Poverty. No Poverty
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Klisala Harrison. (2020) Indigenous music sustainability during climate change. Current Opinion in Environmental Sustainability 43, pages 28-34.
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Catherine Grant. 2020. No Poverty. No Poverty
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KLISALA HARRISON. (2020) Sustainability and Indigenous Aesthetics: Musical Resilience in Sámi and Indigenous Canadian Theatre. Yearbook for Traditional Music 51, pages 17-48.
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Tina K. Ramnarine. (2018) Cyborg Mantras, Technologies, and the Temporalities of Tradition. Preservation, Digital Technology & Culture 47:3-4, pages 144-148.
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