Xiaofei Hao, Enrong Jiang & Yazhuo Chen. (2024) The sign Avatar and tourists’ practice at Pandora: A semiological perspective on a film related destination. Tourism Management 101, pages 104856.
Crossref
Kim Toft Hansen & Valentina ReKim Toft Hansen & Valentina Re. 2024. Peripheral Locations in European TV Crime Series. Peripheral Locations in European TV Crime Series
19
50
.
Olaf Kühne & Lara Koegst. 2023. Multisensory Landscapes. Multisensory Landscapes
129
145
.
Peter H. Marsden, Werner Kreisel & Tobias Reeh. 2023. Landschaft und Tourismus. Landschaft und Tourismus
515
536
.
Francyjonison Custodio do Nascimento. (2022) O filme como campo de aventura: os espraiamentos artístico-científicos da geografia. Revista da ANPEGE.
Crossref
Julian Zschocke. (2022) Towards a multimethod approach for film geography: a case study of Los Angeles’ Nate Starkman Building. GeoJournal 87:S1, pages 85-93.
Crossref
Chris Lukinbeal & Elisabeth Sommerlad. (2022) Doing film geography. GeoJournal 87:S1, pages 1-9.
Crossref
Rima Mullick & Sk. Safikul Haque. (2022) Film as a pedagogical tool for geography during the pandemic induced virtual classes. GeoJournal 88:1, pages 465-477.
Crossref
Olaf Kühne, Corinna Jenal & Dennis Edler. 2022. The Social Construction of Landscapes in Games. The Social Construction of Landscapes in Games
77
87
.
Stefan Zimmermann. 2022. Wald in der Vielfalt möglicher Perspektiven. Wald in der Vielfalt möglicher Perspektiven
413
424
.
Sinem KIZILASLAN. (2021) PEYZAJ MİMARLIĞI KAPSAMINDA SİNEMA SANATINDA MEKAN TASARIMININ DEĞERLENDİRİLMESİ: AVATAR FİLMİ ÖRNEĞİEVALUATION OF SPACE DESIGN IH THE ART OF CINEMA WITH- IN THE SCOPE OF LANDSCAPE ARCHITECTURE: THE EXAMPLE OF AVATAR FILM. Sanat ve Tasarım Dergisi 11:2, pages 548-565.
Crossref
Sema MUMCU. (2021) FİLMLERDEKİ PEYZAJ YAKLAŞIMLARI VE KAVRAMLARI; PEYZAJ MİMARLIĞI BAĞLAMINDA BİR YORUMLAMALANDSCAPE APPROACHES AND CONCEPTS IN FILMS; AN INTERPRETATION IN CONTEXT THE OF LANDSCAPE ARCHITECTURE. sinecine: Sinema Araştırmaları Dergisi 12:2, pages 331-365.
Crossref
Alicia Palacios-Ferri & Eva Marín Jordá. (2021) Presencia y función del paisaje en el cartel cinematográfico contemporáneo. EME Experimental Illustration, Art & Design:9, pages 80.
Crossref
Olaf Kühne, Corinna Jenal & Dennis Edler. (2020) Functions of Landscape in Games—A Theoretical Approach with Case Examples. Arts 9:4, pages 123.
Crossref
Robert A. Saunders. (2020)
Landscape, Geopolitics, and National Identity in the Norwegian Thrillers
Occupied
and
Nobel
. Nordicom Review 41:s1, pages 63-83.
Crossref
Dennis Edler. (2020) Where Spatial Visualization Meets Landscape Research and “Pinballology”: Examples of Landscape Construction in Pinball GamesRaumbezogene Visualisierung trifft auf Landschaftsforschung und „Pinballology“: Beispiele der Landschaftskonstruktion in Flipperspielen. KN - Journal of Cartography and Geographic Information 70:2, pages 55-69.
Crossref
Olaf Kühne. 2020. Modern Approaches to the Visualization of Landscapes. Modern Approaches to the Visualization of Landscapes
121
137
.
Chris Lukinbeal & Laura Sharp. 2020. Handbook of the Changing World Language Map. Handbook of the Changing World Language Map
2455
2477
.
Swikrita Dowerah & Debarshi Prasad Nath. (2019) Cinematic landscapes of Northeast India through an ecocritical lens. Asian Cinema 30:2, pages 205-218.
Crossref
Maximiliano Maza Pérez & Frida Anais Godínez Garza. (2019) PAISAJES CINEMATOGRÁFICOS COMO METÁFORAS DE LAS EMOCIONES. Análisis de los modos de representación fílmica y espacialidad en Her de Spike Jonze. Luciérnaga-Comunicación 11:21, pages 40-59.
Crossref
Aydın ÇAM. (2019) SİNEMASAL MEKÂNLAR VE SİNEMASAL MEKÂNLARIN ÇÖZÜMLENMESİCinematic Spaces and the Analysis of Cinematic Spaces. sinecine: Sinema Araştırmaları Dergisi 7:2, pages 7-37.
Crossref
Robert A. Saunders. (2019) (Profitable) imaginaries of Black Power: The popular and political geographies of Black Panther. Political Geography 69, pages 139-149.
Crossref
Stefan Zimmermann. 2019. Handbuch Landschaft. Handbuch Landschaft
623
629
.
Chris Lukinbeal & Laura Sharp. 2019. Handbook of the Changing World Language Map. Handbook of the Changing World Language Map
1
23
.
David Seamon. 2019. The Psychology of Religion and Place. The Psychology of Religion and Place
239
259
.
Jānis Matvejs. (2018) Private Space in Soviet Cinema: Case Study of Riga. Architecture and Urban Planning 14:1, pages 75-82.
Crossref
Karina Eugenia Fioravante. (2018) Geografia e Cinema: a releitura dos conceitos de espaço, paisagem e lugar a partir das imagens em movimento. Ateliê Geográfico 12:1, pages 272-297.
Crossref
Aydın ÇAM. (2018) Derviş Zaim Sinemasında Anlatının Platformu Olarak Mekân: Anlatı, Sinemasal Gerilim ve Mekân İlişkisiSpace As A Platform of Narration In The Cinema of Derviş Zaim: The Relationship Between Space, Narration, and Cinematic Tension. Erciyes İletişim Dergisi 5:4, pages 691-712.
Crossref
Alexandra Parker. (2017) The spatial stereotype: The representation and reception of urban films in Johannesburg. Urban Studies 55:9, pages 2057-2072.
Crossref
Sema Mumcu & Serap Yılmaz. (2018) Anime Landscapes as a Tool for Analyzing the Human–Environment Relationship: Hayao Miyazaki Films. Arts 7:2, pages 16.
Crossref
Michael J. Shapiro. 2018. The Political Sublime. The Political Sublime
193
208
.
Michael J. Shapiro. 2018. The Political Sublime. The Political Sublime
173
191
.
Michael J. Shapiro. 2018. The Political Sublime. The Political Sublime
169
172
.
Michael J. Shapiro. 2018. The Political Sublime. The Political Sublime
133
167
.
Michael J. Shapiro. 2018. The Political Sublime. The Political Sublime
101
132
.
Michael J. Shapiro. 2018. The Political Sublime. The Political Sublime
68
100
.
Michael J. Shapiro. 2018. The Political Sublime. The Political Sublime
41
67
.
Michael J. Shapiro. 2018. The Political Sublime. The Political Sublime
13
40
.
Michael J. Shapiro. 2018. The Political Sublime. The Political Sublime
1
12
.
Olaf KühneOlaf Kühne. 2018. Landscape and Power in Geographical Space as a Social-Aesthetic Construct. Landscape and Power in Geographical Space as a Social-Aesthetic Construct
195
250
.
Johan Andersson. (2017) Landscape and Gentrification: The Picturesque and Pastoral in 1980s New York Cinema. Antipode 49:3, pages 539-556.
Crossref
Scott McKinnon. (2016) Straight disasters: the (hetero)sexual geographies of Hollywood disaster movies. GeoJournal 82:3, pages 503-515.
Crossref
Olgu YİĞİT. (2016) Film Kartografisi: Sinemasal Mekâna Dair Felsefî Düşünceler. SineFilozofi, pages 628-638.
Crossref
Alexandra ParkerAlexandra Parker. 2016. Urban Film and Everyday Practice. Urban Film and Everyday Practice
193
207
.
Alexandra ParkerAlexandra Parker. 2016. Urban Film and Everyday Practice. Urban Film and Everyday Practice
65
101
.
Alexandra ParkerAlexandra Parker. 2016. Urban Film and Everyday Practice. Urban Film and Everyday Practice
1
27
.
Mookyu Kim. (2015) Landscape Image in 'Gyeongju' Zhang Lu’s: Dwelling, Aura, Visual Situation. Film Studies null:66, pages 5-32.
Crossref
Julie Cupples, Chris Lukinbeal & Susan P. Mains. 2015. Mediated Geographies and Geographies of Media. Mediated Geographies and Geographies of Media
3
19
.
Jessica Jacobs. (2013) Listen with Your Eyes; Towards a Filmic Geography. Geography Compass 7:10, pages 714-728.
Crossref
Eli Avraham & Daniel Daugherty. (2012) “Step into the Real Texas”: Associating and claiming state narrative in advertising and tourism brochures. Tourism Management 33:6, pages 1385-1397.
Crossref
Joanne Connell. (2012) Film tourism – Evolution, progress and prospects. Tourism Management 33:5, pages 1007-1029.
Crossref
Christopher Drew. (2011)
The Spirit of Australia
: Learning about Australian Childhoods in Qantas Commercials
. Global Studies of Childhood 1:4, pages 321-331.
Crossref
L. LAW, C.J.W.-L. WEE & F. MCMULLAN. (2011) Screening Singapore: The Cinematic Landscape of Eric Khoo's Be With Me. Geographical Research 49:4, pages 363-374.
Crossref
Stijn Reijnders. (2009)
Schuldig landschap. Over de toeristische aantrekkingskracht van
Baantjer
,
Wallander
en
Inspector Morse
. Tijdschrift voor Communicatiewetenschappen 37:2, pages 118-132.
Crossref
Stijn Reijnders. (2009) Watching the Detectives. European Journal of Communication 24:2, pages 165-181.
Crossref
Clayton Rosati. (2007) Media Geographies: Uncovering the Spatial Politics of Images. Geography Compass 1:5, pages 995-1014.
Crossref