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Original Articles

Cinematic Landscapes

Pages 3-22 | Published online: 28 Jul 2009

Keep up to date with the latest research on this topic with citation updates for this article.

Read on this site (15)

Jonathan Rayner. (2022) The city (as) archive: are your memories in place?. Landscape Research 47:7, pages 829-839.
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Silvia Aru & Cristina Capineri. (2021) La “grande bellezza”: thirty years of Italian set locations. Journal of Cultural Geography 38:2, pages 262-285.
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Matus Halas. (2019) Love your neighbor: Nazi soldiers and Femmes Fatales in Czech cinema. Social & Cultural Geography 20:2, pages 242-264.
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Mary Mostafanezhad & Tanya Promburom. (2018) ‘Lost in Thailand’: the popular geopolitics of film-induced tourism in northern Thailand. Social & Cultural Geography 19:1, pages 81-101.
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Kristina Gottschall. (2014) From the frozen wilderness to the moody sea: rural space, girlhood and popular pedagogy. Gender and Education 26:5, pages 568-583.
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Lan Duong. (2014) Gender, affect, and landscape: wartime films from Northern and Southern Vietnam. Inter-Asia Cultural Studies 15:2, pages 258-273.
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Stefano Bloch. (2013) Hollywood as waste regime. City 17:4, pages 449-473.
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El Hadi Jazairy. (2009) Cinematic landscapes in Antonioni's L'Avventura . Journal of Cultural Geography 26:3, pages 349-367.
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Articles from other publishers (56)

Xiaofei Hao, Enrong Jiang & Yazhuo Chen. (2024) The sign Avatar and tourists’ practice at Pandora: A semiological perspective on a film related destination. Tourism Management 101, pages 104856.
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Kim Toft Hansen & Valentina ReKim Toft Hansen & Valentina Re. 2024. Peripheral Locations in European TV Crime Series. Peripheral Locations in European TV Crime Series 19 50 .
Olaf Kühne & Lara Koegst. 2023. Multisensory Landscapes. Multisensory Landscapes 129 145 .
Peter H. Marsden, Werner Kreisel & Tobias Reeh. 2023. Landschaft und Tourismus. Landschaft und Tourismus 515 536 .
Francyjonison Custodio do Nascimento. (2022) O filme como campo de aventura: os espraiamentos artístico-científicos da geografia. Revista da ANPEGE.
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Julian Zschocke. (2022) Towards a multimethod approach for film geography: a case study of Los Angeles’ Nate Starkman Building. GeoJournal 87:S1, pages 85-93.
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Chris Lukinbeal & Elisabeth Sommerlad. (2022) Doing film geography. GeoJournal 87:S1, pages 1-9.
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Rima Mullick & Sk. Safikul Haque. (2022) Film as a pedagogical tool for geography during the pandemic induced virtual classes. GeoJournal 88:1, pages 465-477.
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Olaf Kühne, Corinna Jenal & Dennis Edler. 2022. The Social Construction of Landscapes in Games. The Social Construction of Landscapes in Games 77 87 .
Stefan Zimmermann. 2022. Wald in der Vielfalt möglicher Perspektiven. Wald in der Vielfalt möglicher Perspektiven 413 424 .
Sinem KIZILASLAN. (2021) PEYZAJ MİMARLIĞI KAPSAMINDA SİNEMA SANATINDA MEKAN TASARIMININ DEĞERLENDİRİLMESİ: AVATAR FİLMİ ÖRNEĞİEVALUATION OF SPACE DESIGN IH THE ART OF CINEMA WITH- IN THE SCOPE OF LANDSCAPE ARCHITECTURE: THE EXAMPLE OF AVATAR FILM. Sanat ve Tasarım Dergisi 11:2, pages 548-565.
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Sema MUMCU. (2021) FİLMLERDEKİ PEYZAJ YAKLAŞIMLARI VE KAVRAMLARI; PEYZAJ MİMARLIĞI BAĞLAMINDA BİR YORUMLAMALANDSCAPE APPROACHES AND CONCEPTS IN FILMS; AN INTERPRETATION IN CONTEXT THE OF LANDSCAPE ARCHITECTURE. sinecine: Sinema Araştırmaları Dergisi 12:2, pages 331-365.
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Alicia Palacios-Ferri & Eva Marín Jordá. (2021) Presencia y función del paisaje en el cartel cinematográfico contemporáneo. EME Experimental Illustration, Art & Design:9, pages 80.
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Olaf Kühne, Corinna Jenal & Dennis Edler. (2020) Functions of Landscape in Games—A Theoretical Approach with Case Examples. Arts 9:4, pages 123.
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Robert A. Saunders. (2020) Landscape, Geopolitics, and National Identity in the Norwegian Thrillers Occupied and Nobel . Nordicom Review 41:s1, pages 63-83.
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Dennis Edler. (2020) Where Spatial Visualization Meets Landscape Research and “Pinballology”: Examples of Landscape Construction in Pinball GamesRaumbezogene Visualisierung trifft auf Landschaftsforschung und „Pinballology“: Beispiele der Landschaftskonstruktion in Flipperspielen. KN - Journal of Cartography and Geographic Information 70:2, pages 55-69.
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Olaf Kühne. 2020. Modern Approaches to the Visualization of Landscapes. Modern Approaches to the Visualization of Landscapes 121 137 .
Chris Lukinbeal & Laura Sharp. 2020. Handbook of the Changing World Language Map. Handbook of the Changing World Language Map 2455 2477 .
Swikrita Dowerah & Debarshi Prasad Nath. (2019) Cinematic landscapes of Northeast India through an ecocritical lens. Asian Cinema 30:2, pages 205-218.
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Maximiliano Maza Pérez & Frida Anais Godínez Garza. (2019) PAISAJES CINEMATOGRÁFICOS COMO METÁFORAS DE LAS EMOCIONES. Análisis de los modos de representación fílmica y espacialidad en Her de Spike Jonze. Luciérnaga-Comunicación 11:21, pages 40-59.
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Aydın ÇAM. (2019) SİNEMASAL MEKÂNLAR VE SİNEMASAL MEKÂNLARIN ÇÖZÜMLENMESİCinematic Spaces and the Analysis of Cinematic Spaces. sinecine: Sinema Araştırmaları Dergisi 7:2, pages 7-37.
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Robert A. Saunders. (2019) (Profitable) imaginaries of Black Power: The popular and political geographies of Black Panther. Political Geography 69, pages 139-149.
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Stefan Zimmermann. 2019. Handbuch Landschaft. Handbuch Landschaft 623 629 .
Chris Lukinbeal & Laura Sharp. 2019. Handbook of the Changing World Language Map. Handbook of the Changing World Language Map 1 23 .
David Seamon. 2019. The Psychology of Religion and Place. The Psychology of Religion and Place 239 259 .
Jānis Matvejs. (2018) Private Space in Soviet Cinema: Case Study of Riga. Architecture and Urban Planning 14:1, pages 75-82.
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Karina Eugenia Fioravante. (2018) Geografia e Cinema: a releitura dos conceitos de espaço, paisagem e lugar a partir das imagens em movimento. Ateliê Geográfico 12:1, pages 272-297.
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Aydın ÇAM. (2018) Derviş Zaim Sinemasında Anlatının Platformu Olarak Mekân: Anlatı, Sinemasal Gerilim ve Mekân İlişkisiSpace As A Platform of Narration In The Cinema of Derviş Zaim: The Relationship Between Space, Narration, and Cinematic Tension. Erciyes İletişim Dergisi 5:4, pages 691-712.
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Alexandra Parker. (2017) The spatial stereotype: The representation and reception of urban films in Johannesburg. Urban Studies 55:9, pages 2057-2072.
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Sema Mumcu & Serap Yılmaz. (2018) Anime Landscapes as a Tool for Analyzing the Human–Environment Relationship: Hayao Miyazaki Films. Arts 7:2, pages 16.
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Michael J. Shapiro. 2018. The Political Sublime. The Political Sublime 193 208 .
Michael J. Shapiro. 2018. The Political Sublime. The Political Sublime 173 191 .
Michael J. Shapiro. 2018. The Political Sublime. The Political Sublime 169 172 .
Michael J. Shapiro. 2018. The Political Sublime. The Political Sublime 133 167 .
Michael J. Shapiro. 2018. The Political Sublime. The Political Sublime 101 132 .
Michael J. Shapiro. 2018. The Political Sublime. The Political Sublime 68 100 .
Michael J. Shapiro. 2018. The Political Sublime. The Political Sublime 41 67 .
Michael J. Shapiro. 2018. The Political Sublime. The Political Sublime 13 40 .
Michael J. Shapiro. 2018. The Political Sublime. The Political Sublime 1 12 .
Olaf KühneOlaf Kühne. 2018. Landscape and Power in Geographical Space as a Social-Aesthetic Construct. Landscape and Power in Geographical Space as a Social-Aesthetic Construct 195 250 .
Johan Andersson. (2017) Landscape and Gentrification: The Picturesque and Pastoral in 1980s New York Cinema. Antipode 49:3, pages 539-556.
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Scott McKinnon. (2016) Straight disasters: the (hetero)sexual geographies of Hollywood disaster movies. GeoJournal 82:3, pages 503-515.
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Olgu YİĞİT. (2016) Film Kartografisi: Sinemasal Mekâna Dair Felsefî Düşünceler. SineFilozofi, pages 628-638.
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Alexandra ParkerAlexandra Parker. 2016. Urban Film and Everyday Practice. Urban Film and Everyday Practice 193 207 .
Alexandra ParkerAlexandra Parker. 2016. Urban Film and Everyday Practice. Urban Film and Everyday Practice 65 101 .
Alexandra ParkerAlexandra Parker. 2016. Urban Film and Everyday Practice. Urban Film and Everyday Practice 1 27 .
Mookyu Kim. (2015) Landscape Image in 'Gyeongju' Zhang Lu’s: Dwelling, Aura, Visual Situation. Film Studies null:66, pages 5-32.
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Julie Cupples, Chris Lukinbeal & Susan P. Mains. 2015. Mediated Geographies and Geographies of Media. Mediated Geographies and Geographies of Media 3 19 .
Jessica Jacobs. (2013) Listen with Your Eyes; Towards a Filmic Geography. Geography Compass 7:10, pages 714-728.
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Eli Avraham & Daniel Daugherty. (2012) “Step into the Real Texas”: Associating and claiming state narrative in advertising and tourism brochures. Tourism Management 33:6, pages 1385-1397.
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Joanne Connell. (2012) Film tourism – Evolution, progress and prospects. Tourism Management 33:5, pages 1007-1029.
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Christopher Drew. (2011) The Spirit of Australia : Learning about Australian Childhoods in Qantas Commercials . Global Studies of Childhood 1:4, pages 321-331.
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L. LAW, C.J.W.-L. WEE & F. MCMULLAN. (2011) Screening Singapore: The Cinematic Landscape of Eric Khoo's Be With Me. Geographical Research 49:4, pages 363-374.
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Stijn Reijnders. (2009) Schuldig landschap. Over de toeristische aantrekkingskracht van Baantjer , Wallander en Inspector Morse . Tijdschrift voor Communicatiewetenschappen 37:2, pages 118-132.
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Stijn Reijnders. (2009) Watching the Detectives. European Journal of Communication 24:2, pages 165-181.
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Clayton Rosati. (2007) Media Geographies: Uncovering the Spatial Politics of Images. Geography Compass 1:5, pages 995-1014.
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