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Visual Anthropology Volume 24, 2011 - Issue 4: Ethnocinema in Five Nations
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Original Articles

From Padosi to My Name is Khan: The Portrayal of Hindu–Muslim Relations in South Asian Films

Pankaj JainCorrespondence[email protected] ; [email protected]
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Pages 345-363 | Published online: 18 Jul 2011

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Pankaj Jain & Nandini Bhasin. (2022) The Objectification of Women in V. Shantaram’s Films. Visual Anthropology 35:2, pages 201-206.
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Pankaj Jain. (2019) Sara Jahan Hamara: Indian Films and Their Portrayal of Foreign Destinations. Visual Anthropology 32:3-4, pages 343-352.
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Clelia Clini. (2015) International terrorism? Indian popular cinema and the politics of terror. Critical Studies on Terrorism 8:3, pages 337-357.
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Jana Fedtke. (2014) ‘My name is Khan and I am not a terrorist’: disability and asexuality in My Name is Khan. South Asian History and Culture 5:4, pages 521-533.
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Meraj Ahmed Mubarki. (2014) Exploring the ‘Other’: inter-faith marriages in Jodhaa Akbar and beyond. Contemporary South Asia 22:3, pages 255-267.
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