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Journal of Media Economics Volume 22, 2009 - Issue 2
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Original Articles

The Music Industry in the Digital Era: Toward New Contracts

Nicolas Curien ARCEP and GREG, Conservatoire National des Arts et Métiers, Paris
&
François Moreau GREG, Conservatoire National des Arts et Métiers, Paris
Pages 102-113 | Published online: 06 Jun 2009

Citations (30)

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Read on this site (3)

Federico Magni. (2023) Value creation and appropriation in the live music industry: a population ecology analysis of live music ticket pricing. Journal of Media Business Studies 20:2, pages 137-157.
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Ralf Dewenter, Justus Haucap & Tobias Wenzel. (2012) On File Sharing With Indirect Network Effects Between Concert Ticket Sales and Music Recordings. Journal of Media Economics 25:3, pages 168-178.
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Ellen Huijgh & Tom Evens. (2012) No big deal!? Live Nation's impact on the Belgian festival market. Creative Industries Journal 5:1-2, pages 87-103.
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Articles from other publishers (27)

Finn Christensen. (2022) Streaming Stimulates the Live Concert Industry: Evidence from YouTube. International Journal of Industrial Organization 85, pages 102873.
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Amanda E Krause & Steven Caldwell Brown. (2019) A uses and gratifications approach to considering the music formats that people use most often. Psychology of Music 49:3, pages 547-566.
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Bekh Alona Bekh. (2020) DIGITAL MEDIA MARKET IN THE MEDIA ECONOMICS RESEARCH. Black Sea Economic Studies:53.
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Hussein Kanso, Bénédicte Quilot-Turion, Mohamed-Mahmoud Memah, Olivier Bernard, Jean-Luc Gouzé & Valentina Baldazzi. (2020) Reducing a model of sugar metabolism in peach to catch different patterns among genotypes. Mathematical Biosciences 321, pages 108321.
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Mikko Mustonen. (2019) Direct publishing and the bargaining between the author and the publisher. Information Economics and Policy 48, pages 40-47.
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Ewa Mazierska & Zsolt Győri. 2019. Eastern European Popular Music in a Transnational Context. Eastern European Popular Music in a Transnational Context 1 24 .
Jean-Philippe Charron. (2017) Music Audiences 3.0: Concert-Goers’ Psychological Motivations at the Dawn of Virtual Reality. Frontiers in Psychology 8.
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Maya Bacache-Beauvallet, Marc Bourreau & François Moreau. (2016) Information asymmetry and 360-Degree Contracts in the Recorded Music Industry. Revue d'économie industrielle:156, pages 57-90.
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Michael I. C. Nwogugu. 2016. Illegal Online File Sharing, Decision-Analysis, and the Pricing of Digital Goods. Illegal Online File Sharing, Decision-Analysis, and the Pricing of Digital Goods 239 280 .
Stephen Bazen, Laurence Bouvard & Jean-Benoît Zimmermann. (2015) Musicians and the Creative Commons: A survey of artists on Jamendo. Information Economics and Policy 32, pages 65-76.
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Joshua S. Gans. (2015) “Selling Out” and the impact of music piracy on artist entry. Information Economics and Policy 32, pages 58-64.
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Maya Bacache-Beauvallet, Marc Bourreau & François Moreau. (2012) Piracy and creation: the case of the music industry. European Journal of Law and Economics 39:2, pages 245-262.
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Mirva Peltoniemi. (2015) Cultural Industries: Product-Market Characteristics, Management Challenges and Industry Dynamics. International Journal of Management Reviews 17:1, pages 41-68.
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Sedat ÖZEL. (2014) Yeni Medya Çağında Radyoların Dönüşümü. Akdeniz Üniversitesi İletişim Fakültesi Dergisi:22, pages 168-189.
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Sedat Özel. (2014) Yeni Medya Çağında Radyoların Dönüşümü. Akdeniz Üniversitesi İletişim Fakültesi Dergisi, pages 168-189.
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Godefroy Dang Nguyen, Sylvain Dejean & François Moreau. (2013) On the complementarity between online and offline music consumption: the case of free streaming. Journal of Cultural Economics 38:4, pages 315-330.
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Kristie Briggs, Joshua Eiermann, Thomas Hodgson & Elizabeth McNamara. (2014) Reducing copyright piracy using entrepreneurial intermediary platforms. Journal of Entrepreneurship and Public Policy 3:2, pages 306-316.
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Steven C. Brown & Raymond A. R. MacDonald. (2013) Predictive factors of music piracy: An exploration of personality using the HEXACO PI-R. Musicae Scientiae 18:1, pages 53-64.
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Richard Warr & Mark M.H. Goode. (2011) Is the music industry stuck between rock and a hard place? The role of the Internet and three possible scenarios. Journal of Retailing and Consumer Services 18:2, pages 126-131.
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Frank Linde & Wolfgang Stock. 2011. Information Markets. Information Markets.
Michael C. I. Nwogugu. (2006) Illegal Online Filesharing: Economic Psychology Issues. SSRN Electronic Journal.
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Maya Bacache-Beauvallet, Marc Bourreau & Frannois Moreau. (2015) Cheating and 360-Degree Contracts in the Recorded Music Industry. SSRN Electronic Journal.
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Joshua S. Gans. (2014) 'Selling Out' and the Impact of Music Piracy on Artist Entry. SSRN Electronic Journal.
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Godefroy Dang Nguyen, Sylvain Dejean & François Moreau. (2012) Are Streaming and Other Music Consumption Modes Substitutes or Complements?. SSRN Electronic Journal.
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Justus Haucap, Ralf Dewenter & Tobias Wenzel. (2012) On File Sharing with Indirect Network Effects between Concert Ticket Sales and Music Recordings. SSRN Electronic Journal.
Crossref
Maya Bacache, Marc Bourreau & François Moreau. (2012) Piracy and Creation: The Case of the Music Industry. SSRN Electronic Journal.
Crossref
Volker Ralf Grassmuck. (2010) Academic Studies on the Effect of File-Sharing on the Recorded Music Industry: A Literature Review. SSRN Electronic Journal.
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