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Miscellany

A note On the international dominance of the U.S. in the trade in movies and television fiction

Pages 31-38 | Published online: 24 Feb 2009

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Read on this site (6)

Moon-Haeng Lee & Eun-Kyoung Han. (2006) Competition: Hollywood Versus Domestic Films: Release Strategies of Hollywood Films in South Korea. International Journal on Media Management 8:3, pages 125-133.
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Krishna P. Jayakar & David Waterman. (2000) The Economics of American Theatrical Movie Exports: An Empirical Analysis. Journal of Media Economics 13:3, pages 153-169.
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A. Marvasti. (2000) Motion Pictures Industry: Economies of Scale and Trade. International Journal of the Economics of Business 7:1, pages 99-114.
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StefanM. Piech. (1997) The impact of the 1989 velvet revolution on the former Czechoslovakian film industry. Innovation: The European Journal of Social Science Research 10:1, pages 37-60.
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Stephen Lacy & Walter E. Niebauer, Jr.. (1995) Developing and Using Theory for Media Economics. Journal of Media Economics 8:2, pages 3-13.
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Articles from other publishers (5)

Sunny Y. Shin & Jordi McKenzie. (2019) Asymmetric cultural discounting and pattern of trade in cultural products: Empirical evidence in motion pictures. The World Economy 42:11, pages 3350-3367.
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Zvezdan VukanovićZvezdan Vukanović. 2016. Foreign Direct Investment Inflows Into the South East European Media Market. Foreign Direct Investment Inflows Into the South East European Media Market 145 202 .
Shin-Il MoonGeorge A. Barnett Yon Soo Lim. (2010) The structure of international music flows using network analysis. New Media & Society 12:3, pages 379-399.
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Steven S. Wildman. (1995) Trade Liberalization and Policy for Media Industries: A Theoretical Examination of Media Flows. Canadian Journal of Communication 20:3.
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Jörn Kruse. (1994) The EC-US trade conflict over film and television software. Intereconomics 29:6, pages 284-291.
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