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Journal of New Music Research Volume 33, 2004 - Issue 3
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Original Articles

The Cognition of Tonality – as We Know it Today

Carol L. Krumhansl Cornell University, New York, USA
Pages 253-268 | Published online: 02 Feb 2010

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Jiayin Sun & Hongyan Wang. (2015) A Cognitive Method for Musicology Based Melody Transcription. International Journal of Computational Intelligence Systems 8:6, pages 1165-1177.
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Naresh N. Vempala & Frank A. Russo. (2015) An Empirically Derived Measure of Melodic Similarity. Journal of New Music Research 44:4, pages 391-404.
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Articles from other publishers (34)

Bernhard Wagner, Vedrana Šlipogor, Jinook Oh, Marion Varga & Marisa Hoeschele. (2023) A comparison between common marmosets ( Callithrix jacchus ) and human infants sheds light on traits proposed to be at the root of human octave equivalence . Developmental Science 26:5.
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Li Wang, Sanrong Xiao, Cunmei Jiang, Qingqi Hou, Alice H. D. Chan, Patrick C. M. Wong & Fang Liu. (2023) The form and function processing of lexical tone and intonation in tone-language-speaking children with autism spectrum disorder. The Journal of the Acoustical Society of America 154:1, pages 467-481.
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Manvir Singh & Samuel A. Mehr. (2023) Universality, domain-specificity and development of psychological responses to music. Nature Reviews Psychology 2:6, pages 333-346.
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Jingxuan Liu, Courtney B. Hilton, Elika Bergelson & Samuel A. Mehr. (2023) Language experience predicts music processing in a half-million speakers of fifty-four languages. Current Biology 33:10, pages 1916-1925.e4.
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Li Wang, Jia Hoong Ong, Emmanuel Ponsot, Qingqi Hou, Cunmei Jiang & Fang Liu. (2022) Mental representations of speech and musical pitch contours reveal a diversity of profiles in autism spectrum disorder. Autism 27:3, pages 629-646.
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Xingfeng Li, Xiaohan Shi, Desheng Hu, Yongwei Li, Qingchen Zhang, Zhengxia Wang, Masashi Unoki & Masato Akagi. (2023) Music Theory-Inspired Acoustic Representation for Speech Emotion Recognition. IEEE/ACM Transactions on Audio, Speech, and Language Processing 31, pages 2534-2547.
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Neta B. Maimon, Dominique Lamy & Zohar Eitan. (2022) Do Picardy Thirds Smile? Tonal Hierarchy and Tonal Valence. Music Perception 39:5, pages 443-467.
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Kazuma Mori. (2022) Decoding peak emotional responses to music from computational acoustic and lyrical features. Cognition 222, pages 105010.
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Neta B. Maimon, Dominique Lamy & Zohar Eitan. (2021) Space oddity: musical syntax is mapped onto visual space. Scientific Reports 11:1.
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Daniel Harasim, Fabian C. Moss, Matthias Ramirez & Martin Rohrmeier. (2021) Exploring the foundations of tonality: statistical cognitive modeling of modes in the history of Western classical music. Humanities and Social Sciences Communications 8:1.
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Fabian C. Moss & Martin Rohrmeier. (2021) Discovering Tonal Profiles with Latent Dirichlet Allocation. Music & Science 4, pages 205920432110488.
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Neta B. Maimon, Dominique Lamy & Zohar Eitan. (2020) Crossmodal Correspondence Between Tonal Hierarchy and Visual Brightness: Associating Syntactic Structure and Perceptual Dimensions Across Modalities. Multisensory Research 33:8, pages 805-836.
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Lorena Mihelač & Janez Povh. (2020) The Impact of the Complexity of Harmony on the Acceptability of Music. ACM Transactions on Applied Perception 17:1, pages 1-27.
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Samuel A. Mehr, Manvir Singh, Dean Knox, Daniel M. Ketter, Daniel Pickens-Jones, S. AtwoodChristopher LucasNori JacobyAlena A. EgnerErin J. Hopkins, Rhea M. HowardJoshua K. Hartshorne, Mariela V. JenningsJan Simson, Constance M. BainbridgeSteven Pinker, Timothy J. O’Donnell, Max M. KrasnowLuke Glowacki. (2019) Universality and diversity in human song. Science 366:6468.
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Elena Berrón Ruiz, Inés María Monreal Guerrero & Francisco José Balsera Gómez. (2017) El conocimiento armónico como estrategia para mejorar la comprensión, la motivación y la creatividad en el aprendizaje del lenguaje musical. Revista Electrónica Complutense de Investigación en Educación Musical - RECIEM 14, pages 305-327.
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Pastora Martínez-Castilla, Manuel Rodríguez & Ruth Campos. (2016) Developmental trajectories of pitch-related music skills in children with Williams syndrome. Research in Developmental Disabilities 51-52, pages 23-39.
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J. Fernando Anta. (2015) Pitch. Music Perception: An Interdisciplinary Journal 32:4, pages 413-433.
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Martin Rohrmeier, Willem Zuidema, Geraint A. Wiggins & Constance Scharff. (2015) Principles of structure building in music, language and animal song. Philosophical Transactions of the Royal Society B: Biological Sciences 370:1664, pages 20140097.
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Bernhard Leipold & Tim Loepthien. (2015) Music reception and emotional regulation in adolescence and adulthood. Musicae Scientiae 19:1, pages 111-128.
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Jiayin Sun, Hongyan Wang & Jiahui Liu. (2014) A cognitive method for melody stream transcription. A cognitive method for melody stream transcription.
Nicholas E.V. Foster, Andrea R. Halpern & Robert J. Zatorre. (2013) Common parietal activation in musical mental transformations across pitch and time. NeuroImage 75, pages 27-35.
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Daniela Sammler, Stefan Koelsch, Tonio Ball, Armin Brandt, Maren Grigutsch, Hans-Jürgen Huppertz, Thomas R. Knösche, Jörg Wellmer, Guido Widman, Christian E. Elger, Angela D. Friederici & Andreas Schulze-Bonhage. (2013) Co-localizing linguistic and musical syntax with intracranial EEG. NeuroImage 64, pages 134-146.
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Giacomo Novembre & Peter E. Keller. (2011) A grammar of action generates predictions in skilled musicians. Consciousness and Cognition 20:4, pages 1232-1243.
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Daniela Sammler, Stefan Koelsch & Angela D. Friederici. (2011) Are left fronto-temporal brain areas a prerequisite for normal music-syntactic processing?. Cortex 47:6, pages 659-673.
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Richard Parncutt. (2011) The Tonic as Triad: Key Profiles as Pitch Salience Profiles of Tonic Triads. Music Perception 28:4, pages 333-366.
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Naomi ZivElad Omer. (2010) Music and time: the effect of experimental paradigm, musical structure and subjective evaluations on time estimation. Psychology of Music 39:2, pages 182-195.
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Josh H. McDermott, Michael V. Keebler, Christophe Micheyl & Andrew J. Oxenham. (2010) Musical intervals and relative pitch: Frequency resolution, not interval resolution, is special. The Journal of the Acoustical Society of America 128:4, pages 1943-1951.
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Evangelos Himonides. (2009) Mapping a beautiful voice: theoretical considerations. Journal of Music, Technology and Education 2:1, pages 25-54.
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Zohar Eitan & Roni Y. Granot. (2009) Primary versus secondary musical parameters and the classification of melodic motives. Musicae Scientiae 13:1_suppl, pages 139-179.
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Elika Bergelson & William J. Idsardi. (2009) A neurophysiological study into the foundations of tonal harmony. NeuroReport 20:3, pages 239-244.
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Carol L. Krumhansl & Kat R. Agres. (2008) Musical expectancy: The influence of musical structure on emotional response. Behavioral and Brain Sciences 31:5, pages 584-585.
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Josh H McDermott & Andrew J Oxenham. (2008) Music perception, pitch, and the auditory system. Current Opinion in Neurobiology 18:4, pages 452-463.
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Asuka Otsuka, Shinya Kuriki, Noboru Murata & Toshikazu Hasegawa. (2008) Neuromagnetic responses to chords are modified by preceding musical scale. Neuroscience Research 60:1, pages 50-55.
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Carol L. Krumhansl. (2005) The geometry of musical structure. Computers in Entertainment 3:4, pages 1-14.
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