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Journal of New Music Research Volume 34, 2005 - Issue 1: Expressive Gesture in Performing Arts and New Media Guest Editor: Gualtiero Volpe
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Original Articles

Expressiveness and Digital Musical Instrument Design

Daniel ArfibCorrespondence[email protected]
,
Jean-Michel Couturier
&
Loïc Kessous
Pages 125-136 | Published online: 16 Feb 2007

Citations (14)

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Read on this site (1)

Luca Befera. (2023) The black box aesthetics: performative dynamics between artificial intelligence and human interactive staging. International Journal of Performance Arts and Digital Media 19:2, pages 230-246.
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Articles from other publishers (13)

Lee Cheng, Chi Hin Leung & Wing Yan Jasman Pang. (2023) Audience’s Perceived Expectancy and Authenticity of Classical Music Performance by Digital Musical Instrument Mobile Apps. Music Perception: An Interdisciplinary Journal 41:2, pages 132-147.
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Duygu SÖKEZOĞLU ATILGAN & Uğur GÜRMAN. (2023) Piyano Eğitiminde Synthesia Programının Öğrenci Başarısı Üzerine EtkisiThe Effect of Synthesia Programme on the Performance of Students in Piano Education. ODÜ Sosyal Bilimler Araştırmaları Dergisi (ODÜSOBİAD).
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Rafael Ramírez-MeléndezRafael Ramirez-Melendez. 2023. Neurocognitive Music Therapy. Neurocognitive Music Therapy 7 26 .
Marta Rizzonelli, Jin Hyun Kim, Pascal Staudt & Marcello Lussana. (2022) Fostering Social Interaction Through Sound Feedback: Sentire. Organised Sound, pages 1-13.
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Luca Befera. (2021) Web-based Form as Expression of Networked Sociality in the Community-based Piano Piece Wiki-Piano.Net . Organised Sound 26:3, pages 354-367.
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Gina Emerson & Hauke Egermann. (2018) Exploring the motivations for building new digital musical instruments. Musicae Scientiae 24:3, pages 313-329.
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Dahlan Abdullah, Kevin Angkasa, H Hartono & Herman Fithra. (2019) Designing Guitar Tuning Software Using Karplus Strong Algorithm. Journal of Physics: Conference Series 1364:1, pages 012027.
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Gareth W. Young, Dave Murphy & Jeffrey Weeter. (2017) Haptics in Music: The Effects of Vibrotactile Stimulus in Low Frequency Auditory Difference Detection Tasks. IEEE Transactions on Haptics 10:1, pages 135-139.
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Sarah-Indriyati Hardjowirogo. 2017. Musical Instruments in the 21st Century. Musical Instruments in the 21st Century 9 24 .
Michael Gurevich & Jeffrey Treviño. 2017. A NIME Reader. A NIME Reader 299 315 .
Zacharias Vamvakousis & Rafael Ramirez. (2016) The EyeHarp: A Gaze-Controlled Digital Musical Instrument. Frontiers in Psychology 7.
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Owen VallisAjay Kapur. (2011) Community-Based Design: The Democratization of Musical Interface Construction. Leonardo Music Journal 21, pages 29-34.
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Tomoko Hashida, Takeshi Naemura & Takao Sato. (2008) Creativity with Learning:Approaches for Improvisational Musical Expression Supports. The Journal of the Society for Art and Science 7:2, pages 75-84.
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