Citations (29)
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Melville Saayman & Andrea Saayman. (2016) Clustering attendees at the Philharmonic Orchestra’s Summer Festival. Leisure Studies 35:3, pages 314-331.
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MelissaC. Dobson & StephanieE. Pitts. (2011) Classical Cult or Learning Community? Exploring New Audience Members’ Social and Musical Responses to First-time Concert Attendance. Ethnomusicology Forum 20:3, pages 353-383.
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Karen Burland & StephanieE. Pitts. (2010) Understanding Jazz Audiences: Listening and Learning at the Edinburgh Jazz and Blues Festival. Journal of New Music Research 39:2, pages 125-134.
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Articles from other publishers (25)
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Melanie Wald-Fuhrmann, Hauke Egermann, Anna Czepiel, Katherine O’Neill, Christian Weining, Deborah Meier, Wolfgang Tschacher, Folkert Uhde, Jutta Toelle & Martin Tröndle. (2021) Music Listening in Classical Concerts: Theory, Literature Review, and Research Program. Frontiers in Psychology 12.
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Mary C. Broughton, Jessie Dimmick & Roger T. Dean. (2021) Affective and Cognitive Responses to Musical Performances of Early 20th Century Classical Solo Piano Compositions. Music Perception 38:3, pages 245-266.
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Diana Blom, Dawn Bennett & Ian Stevenson. (2020) Developing a Framework for the Analysis of Program Notes Written for Contemporary Classical Music Concerts. Frontiers in Psychology 11.
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D. Gregory Springer, Amanda L. Schlegel & Jessica Nápoles. (2018) Effects of applause magnitude and musical style on listeners’ evaluations of choral performances. International Journal of Music Education 36:3, pages 418-429.
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Steven Caldwell Brown & Don Knox. (2016) Why go to pop concerts? The motivations behind live music attendance. Musicae Scientiae 21:3, pages 233-249.
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Stephanie Pitts & Jonathan Gross. (2017) “Audience exchange”: cultivating peer-to-peer dialogue at unfamiliar arts events. Arts and the Market 7:1, pages 65-79.
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Garry Crawford, Victoria Gosling, Gaynor Bagnall & Ben Light. (2014) An Orchestral Audience: Classical Music and Continued Patterns of Distinction. Cultural Sociology 8:4, pages 483-500.
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Stephanie E. Pitts & Karen Burland. (2013) Listening to live jazz: an individual or social act?. Arts Marketing: An International Journal 3:1, pages 7-20.
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Gail Brand, John Sloboda, Ben Saul & Martin Hathaway. (2012) The reciprocal relationship between jazz musicians and audiences in live performances: A pilot qualitative study. Psychology of Music 40:5, pages 634-651.
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