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Journal of New Music Research Volume 44, 2015 - Issue 2
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Articles

Motion Analysis of Clarinet Performers

Euler C.F. TeixeiraUniversidade Federal de Minas Gerais, Brazil.
,
Mauricio A. LoureiroUniversidade Federal de Minas Gerais, Brazil.
,
Marcelo M. WanderleyMcGill University, Canada.
&
Hani C. YehiaUniversidade Federal de Minas Gerais, Brazil.Correspondence[email protected]
Pages 97-111 | Received 07 Oct 2013, Accepted 13 May 2014, Published online: 03 Jul 2014

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Read on this site (2)

Laura Bishop, Victor González Sánchez, Bruno Laeng, Alexander Refsum Jensenius & Simon Høffding. (2021) Move like everyone is watching: Social context affects head motion and gaze in string quartet performance. Journal of New Music Research 50:4, pages 392-412.
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Anna E. Weiss, Manfred Nusseck & Claudia Spahn. (2018) Motion types of ancillary gestures in clarinet playing and their influence on the perception of musical performance. Journal of New Music Research 47:2, pages 129-142.
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Articles from other publishers (12)

Nádia Moura, João Paulo Vilas-Boas & Sofia Serra. 2023. Advances in Design, Music and Arts II. Advances in Design, Music and Arts II 655 673 .
Doga Cavdir & Sofia Dahl. (2022) Performers’ Use of Space and Body in Movement Interaction with A Movement-based Digital Musical Instrument. Performers’ Use of Space and Body in Movement Interaction with A Movement-based Digital Musical Instrument.
Ingrid Barbosa. (2021) Online Migration of Musical Instrument Teachers : Technology, AI, and New Professional PerspectivesMigration en Ligne des Professeurs d’Instruments de Musique : Technologie, IA et Nouvelles Perspectives Professionnelles. Communication, technologies et développement:10.
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Martin Clayton, Kelly Jakubowski, Tuomas Eerola, Peter E. Keller, Antonio Camurri, Gualtiero Volpe & Paolo Alborno. (2020) Interpersonal Entrainment in Music Performance. Music Perception 38:2, pages 136-194.
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Esther Coorevits, Pieter-Jan Maes, Joren Six & Marc Leman. (2020) The influence of performing gesture type on interpersonal musical timing, and the role of visual contact and tempo. Acta Psychologica 210, pages 103166.
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Laura Bishop, Carlos Cancino-Chacón & Werner Goebl. (2019) Moving to Communicate, Moving to Interact. Music Perception 37:1, pages 1-25.
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Catherine Massie-Laberge, Isabelle Cossette & Marcelo M. Wanderley. (2019) Kinematic Analysis of Pianists' Expressive Performances of Romantic Excerpts: Applications for Enhanced Pedagogical Approaches. Frontiers in Psychology 9.
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Euler C. F. Teixeira, Mauricio A. Loureiro & Hani C. Yehia. (2018) Expressiveness in Music From a Multimodal Perspective. Music Perception 36:2, pages 201-216.
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Alexander P. Demos, Roger Chaffin & Topher Logan. (2017) Musicians body sway embodies musical structure and expression: A recurrence-based approach. Musicae Scientiae 22:2, pages 244-263.
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Tuomas Eerola, Kelly Jakubowski, Nikki Moran, Peter E. Keller & Martin Clayton. (2018) Shared periodic performer movements coordinate interactions in duo improvisations. Royal Society Open Science 5:2, pages 171520.
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Manfred Nusseck, Marcelo M. Wanderley & Claudia Spahn. 2018. Handbook of Human Motion. Handbook of Human Motion 1789 1802 .
Manfred Nusseck, Marcelo M. Wanderley & Claudia Spahn. 2017. Handbook of Human Motion. Handbook of Human Motion 1 14 .

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