Citations (9)
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Rossi Alves Faria. (2011) Profiling New Paradigms in Sound and Music Technologies. Journal of New Music Research 40:3, pages 191-204.
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Martijn Voorvelt. (1997) The environmental element in Barry Truax's compositions. Journal of New Music Research 26:1, pages 48-69.
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John Young. (1996) Imagining the Source: The Interplay of Realism and Abstraction in Electroacoustic Music. Contemporary Music Review 15:1-2, pages 73-93.
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Barry Truax. (1996) Soundscape, Acoustic Communication and Environmental Sound Composition. Contemporary Music Review 15:1-2, pages 49-65.
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Rocha Iturbide. (1995) Unfolding the natural sound object through electroacoustic composition. Journal of New Music Research 24:4, pages 384-391.
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Articles from other publishers (4)
Danilo Rossetti, Micael Antunes & Jônatas Manzolli. (2020) Compositional Procedures in Electronic Music and the Emergence of Time Continuum. Organised Sound 25:2, pages 156-167.
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Danilo Rossetti & Jônatas Manzolli. (2019) Analysis of Granular Acousmatic Music: Representation of sound flux and emergence. Organised Sound 24:02, pages 205-216.
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Barry Truax. (2015) Paradigm Shifts and Electroacoustic Music: Some personal reflections. Organised Sound 20:1, pages 105-110.
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Barry Truax. (1996) Soundscape, acoustic communication and environmental sound composition. Contemporary Music Review 15:1, pages 49-65.
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