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Journal of New Music Research Volume 23, 1994 - Issue 3
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Original Articles

Spatial sound movement in the instrumental music of Iannis Xenakis

Maria Anna Harley McGill University, Faculty of Music, 555 Sherbrooke St. West, Montreal, Que., H3A 1E3, Canada Phone: +1–514–398–4548 Fax: +1–514–398–4548
Pages 291-314 | Published online: 03 Jun 2008

Citations (7)

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Read on this site (2)

Jason Noble & Stephen McAdams. (2020) Sound mass, auditory perception, and ‘post-tone’ music. Journal of New Music Research 49:3, pages 231-251.
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Maria Anna Harley. (1997) Bacewicz, Picasso, and the making of desire . Journal of Musicological Research 16:4, pages 243-281.
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Articles from other publishers (5)

John Dyck. (2021) Spatial music. European Journal of Philosophy 30:1, pages 279-292.
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Karolina Dąbek. (2020) The Metaphor of Movement and Its Materialisation in Twentieth-Century Spatial Music. Kwartalnik Młodych Muzykologów UJ:47 (4), pages 177-195.
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Felipe Otondo. (2015) Wireless Body-worn Sound System for Dance and Music Performance. Organised Sound 20:3, pages 340-348.
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Anne-Sylvie Barthel-Calvet. (2010) De l’ubiquité poïétique dans l’oeuvre de Iannis Xenakis — Espace, Temps, Musique, Architecture. Intersections 29:2, pages 9-51.
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Maja Trochimczyk. (2001) From Circles to Nets: On the Signification of Spatial Sound Imagery in New Music. Computer Music Journal 25:4, pages 39-56.
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