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Cultural Studies Volume 34, 2020 - Issue 6
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Articles

Twerk sumn!: theorizing Black girl epistemology in the body

Aria S. HallidayDepartment of Women's and Gender Studies, University of New Hampshire, Durham, USACorrespondence[email protected]
ORCID Iconhttps://orcid.org/0000-0002-4999-7951
ORCID Icon
Pages 874-891 | Published online: 21 Jan 2020

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Jennifer McClearen. (2023) “If you let me play”: girls’ empowerment and transgender exclusion in sports. Feminist Media Studies 23:4, pages 1361-1375.
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Ashley N. Payne. (2022) Hip Hop, identity, & Black girlhood: how Black girls (re)construct racial and gender identity through Hip Hop. Journal of Youth Studies 0:0, pages 1-22.
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Corey J. Miles. (2022) Listening to the video: Hip Hop videography and Rural Black Aesthetics. Cultural Studies 0:0, pages 1-24.
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Mbali Mazibuko. (2022) Nasi iStocko! Forging contemporary feminist imaginaries of liberation. Agenda 36:1, pages 34-42.
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Makau Kitata. (2020) Sexualising the performance, objectifying the performer: The twerk dance in Kenya. Agenda 34:3, pages 11-21.
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Natacha Lapeyroux. (2023) « C’est important pour le tennis d’avoir les deux plus grandes stars de la WTA » : représentations télévisuelles des tenniswomen Serena Williams et Maria Sharapova à la télévision française“Having the Two Biggest WTA Stars is Crucial for Tennis”: Television Representations of Tennis Players Serena Williams and Maria Sharapova on French Television. Genre en séries:14.
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Deion Hawkins & Sharifa Simon-Roberts. (2023) Music Videos as Health Promotion: Juvenile’s “Vax That Thang Up” and the Promotion of the COVID-19 Vaccine in the Black Community. American Behavioral Scientist, pages 000276422211450.
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Adeerya Johnson. (2022) Hella Bars: The Cultural Inclusion of Black Women’s Rap in Insecure. Open Cultural Studies 6:1, pages 76-87.
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Adeerya Johnson. (2021) Dirty South Feminism: The Girlies Got Somethin’ to Say Too! Southern Hip-Hop Women, Fighting Respectability, Talking Mess, and Twerking Up the Dirty South. Religions 12:11, pages 1030.
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Jabari Evans. (2021) Link in bio: Exploring the emotional and relational labour of Black women rappers in sexual dance economies on OnlyFans. Global Hip Hop Studies 2:2, pages 179-198.
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