Citations (29)
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Read on this site (13)
Sharon Chang & Renuka Mahadevan. (2022) Inside out or outside in? Sustaining a national performing arts centre in an emerging cultural city. Tourism Recreation Research 47:5-6, pages 544-559.
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Elizabeth Ellison & Tess Van Hemert. (2020) Regional screen cultures: the precarity and significance of Queensland’s film festival landscape. Studies in Australasian Cinema 14:2, pages 95-110.
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Kirsty Sedgman. (2019) Challenges of cultural industry knowledge exchange in live performance audience research. Cultural Trends 28:2-3, pages 103-117.
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MeiKi Chan, Wing Tung Au & Carole Hoyan. (2019) Exploring theater experiences among Hong Kong audiences. Cogent Arts & Humanities 6:1.
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Ben Walmsley. (2018) Deep hanging out in the arts: an anthropological approach to capturing cultural value. International Journal of Cultural Policy 24:2, pages 272-291.
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Lois Foreman-Wernet & Brenda Dervin. (2017) Hidden Depths and Everyday Secrets: How Audience Sense- Making Can Inform Arts Policy and Practice. The Journal of Arts Management, Law, and Society 47:1, pages 47-63.
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Claire Robson & Dennis Sumara. (2016) In memory of all the broken ones: catalytic validity through critical arts research for social change. International Journal of Qualitative Studies in Education 29:5, pages 617-639.
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Eudora Tong, Christopher James White & Tim Fry. (2016) Classical Music Concert Attendance and Older Adults. Journal of Leisure Research 48:2, pages 178-187.
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Joshua Edelman & Maja Šorli. (2015) Measuring the value of theatre for Tyneside audiences. Cultural Trends 24:3, pages 232-244.
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Jeanne-Mari Jordaan, Karin Botha & Pierre-Andrè Viviers. (2015) Analyzing the ticket purchasing behaviour of younger Afrikaans cinema attendees. South African Theatre Journal 28:2, pages 180-208.
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John Lavarack & Roberta Ryan. (2015) Cultural development and local government: analytical frames, insights and observations. Asia Pacific Journal of Public Administration 37:1, pages 44-55.
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Francesco Chiaravalloti & Martin Piber. (2011) Ethical Implications of Methodological Settings in Arts Management Research: The Case of Performance Evaluation. The Journal of Arts Management, Law, and Society 41:4, pages 240-266.
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Articles from other publishers (16)
Sonja Bakić, Jaimea Cuenca & Macarena Cuenca-Amigo. (2023) Measuring the Audience Experience at the Jazzaldia Festival, San Sebastian, Spain. Event Management 27:2, pages 163-181.
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Hala Altamimi & Qiaozhen Liu. (2021) The Nonprofit Starvation Cycle: Does Overhead Spending Really Impact Program Outcomes?. Nonprofit and Voluntary Sector Quarterly, pages 089976402110574.
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Sonja Bakić, Macarena Cuenca-Amigo & Jaime Cuenca. (2021) Exploring the jazz festival experience amongst local and non-local residents: The case of the Jazzaldia Festival in Spain. International Journal of Event and Festival Management 12:4, pages 418-436.
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Christina Maxwell & Christopher Sonn. (2020) The Performative is Political: Using Counter‐Storytelling through Theater to Create Spaces for Implicated Witnessing. American Journal of Community Psychology 68:1-2, pages 47-60.
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Magdalena Szubielska & Robbie Ho. (2021) Field study of audience experience in contemporary circus: An exploratory study on the impact of audience's expertise. PsyCh Journal 10:2, pages 163-176.
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Ruth Riley, Johanna Spiers & Viv Gordon. (2021) PreScribed (A Life Written for Me): A Theatrical Qualitative Research-Based Performance Script Informed by General Practitioners’ Experiences of Emotional Distress. International Journal of Qualitative Methods 20, pages 160940692199918.
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Kim Dunphy, John Smithies, Surajen Uppal, Holly Schauble & Amy Stevenson. (2020) Positing a schema of measurable outcomes of cultural engagement. Evaluation 26:4, pages 474-498.
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Angelique Nairn & Matthew Guinibert. (2020) A dance of excellence, accessibility, money and national identity: A discourse analysis of the Royal New Zealand Ballet's website. International Journal of Nonprofit and Voluntary Sector Marketing 25:3.
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Martin Piber, Paola Demartini & Lucia Biondi. (2018) The management of participatory cultural initiatives: learning from the discourse on intellectual capital. Journal of Management and Governance 23:2, pages 435-458.
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Stephen B. Preece. (2015) Acquiring Start-Up Funding for New Arts Organizations. Nonprofit Management and Leadership 25:4, pages 463-474.
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