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Original Articles

Corporate art and critical theory: on Shirin Neshat

Pages 1-18 | Published online: 04 Jun 2010

Keep up to date with the latest research on this topic with citation updates for this article.

Read on this site (2)

Valerie Palmer-Mehta. (2015) The Rhetorical Space of the Garden in Shirin Neshat's Women Without Men . Women's Studies in Communication 38:1, pages 78-98.
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Siamak Movahedi & Gohar Homayounpour. (2012) The couch and the chador. The International Journal of Psychoanalysis 93:6, pages 1357-1375.
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Articles from other publishers (4)

Reynier Valdés Piñeiro. (2022) Contra las identidades primordiales: las encarnaciones de Shirin Neshat en <em>Women of Allah</em> (1993-1997). Estudios de Asia y África 57:2, pages 319-353.
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Gülay KARAKUŞ. (2021) BİR YAPITI POLİTİK VE KÜLTÜREL KODLARINDAN OKUMAK; ŞEHİT ARAYAN#2READING A WORK FROM THE POLITICAL AND CULTURAL CODES; SEEKİNG MARTYR#2. Sanat ve Tasarım Dergisi 11:2, pages 538-547.
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Rachel Holmes. (2009) Cinemaethnographic Specta(c)torship: Discursive Readings of What We Choose to (Dis)possess. Cultural Studies ↔ Critical Methodologies 10:3, pages 221-237.
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Adair Rounthwaite. (2008) Veiled Subjects: Shirin Neshat and Non-liberatory Agency. Journal of Visual Culture 7:2, pages 165-180.
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