Citations: ‘She began to show me the words she had written, one by one’: 1 Lesbian Reading and Writing Practices in the Fiction of Sarah Waters

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Alice M. Kelly. (2020) “Swallow up me”: hosts, guests and queer hospitality in Sarah Waters’ Affinity, Fingersmith, and Fingersmith fan fiction. European Journal of English Studies 24:3, pages 229-240.
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Chi-Yun Shin. (2019) In another time and place: The Handmaiden as an adaptation. Journal of Japanese and Korean Cinema 11:1, pages 1-13.
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Claire O'Callaghan. (2015) “The Grossest Rakes of Fiction”: Reassessing Gender, Sex, and Pornography in Sarah Waters's Fingersmith. Critique: Studies in Contemporary Fiction 56:5, pages 560-575.
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Rachel Wood. (2013) “Walking and Watching” in Queer London: Sarah Waters’ Tipping the Velvet and The Night Watch . Journal of Lesbian Studies 17:3-4, pages 305-316.
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Articles from other publishers (4)

Natasha Alden. 2020. The Wiley Blackwell Companion to Contemporary British and Irish Literature. The Wiley Blackwell Companion to Contemporary British and Irish Literature 481 490 .

Danielle Mariann Dove. (2019) Ghostly Gloves, Haunted Hands: The Material Trace in Sarah Waters's Affinity and Fingersmith . Victoriographies 9:3, pages 222-241.
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Victoria Stewart. (2015) The Second World War in Contemporary Women?s Fiction: Revisiting the Home Front. Contemporary Women's Writing 9:3, pages 416-432.
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C. O'Callaghan. (2011) The Equivocal Symbolism of Pearls in the Novels of Sarah Waters. Contemporary Women's Writing 6:1, pages 20-37.
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‘She began to show me the words she had written, one by one’: Footnote1
1. Sarah Waters, Fingersmith (London: Virago, 2001), p. 548. Subsequent references are to this edition and are in the text.
Lesbian Reading and Writing Practices in the Fiction of Sarah Waters

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‘She began to show me the words she had written, one by one’: Footnote11. Sarah Waters, Fingersmith (London: Virago, 2001), p. 548. Subsequent references are to this edition and are in the text. Lesbian Reading and Writing Practices in the Fiction of Sarah Waters

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‘She began to show me the words she had written, one by one’: Footnote1
1. Sarah Waters, Fingersmith (London: Virago, 2001), p. 548. Subsequent references are to this edition and are in the text.
Lesbian Reading and Writing Practices in the Fiction of Sarah Waters