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Modern & Contemporary France Volume 19, 2011 - Issue 4: Figurations of Work in Post-Fordist France
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Special Issue Articles

French Film and the New World of Work: From the Iron to the Glass Cage

Martin O'ShaughnessyCorrespondence[email protected]
Pages 427-442 | Published online: 09 Nov 2011

Citations (6)

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Read on this site (3)

Guy Austin. (2015) Political depression and working practices in recent French cinema. Studies in French Cinema 15:2, pages 156-167.
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Fabienne Bullot. (2014) L’usine vide comme imaginaire cinématographique. Contemporary French and Francophone Studies 18:3, pages 314-322.
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John Marks. (2011) ‘Ça tient qu'à toi’: Cartographies of Post-Fordist Labour in Laurent Cantet's L'Emploi du temps . Modern & Contemporary France 19:4, pages 477-493.
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Articles from other publishers (3)

Michael Temple & Martin O’Shaughnessy. 2018. The French Cinema Book. The French Cinema Book 297 303 .
Sarah Waters. (2015) Disappearing bodies: The workplace and documentary film in an era of pure money. French Cultural Studies 26:3, pages 289-301.
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Florian Grandena & Judith Sribnai. (2014) Du désir mimétique au désir contestataire: la représentation du monde du travail dans le cinéma français des années 1990 et 2000. Contemporary French Civilization 39:2, pages 223-242.
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