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Museum Management and Curatorship Volume 33, 2018 - Issue 1
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Articles

Performance art temporalities: relationships between Museum, University, and Theatre

Cláudia MadeiraFaculty of Social and Human Sciences, IHA – Instituto de História da Arte (Institute of Art History), Universidade Nova de Lisboa, Lisbon, PortugalORCID Iconhttp://orcid.org/0000-0003-2346-6885View further author information
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Daniela SalazarFaculty of Social and Human Sciences, IHA – Instituto de História da Arte (Institute of Art History), Universidade Nova de Lisboa, Lisbon, Portugal;Faculty of Social and Human Sciences, IFILNOVA (NOVA Institute of Philosophy), Universidade Nova de Lisboa, Lisbon, PortugalORCID Iconhttp://orcid.org/0000-0002-9661-6306View further author information
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Hélia MarçalFaculty of Social and Human Sciences, IHA – Instituto de História da Arte (Institute of Art History), Universidade Nova de Lisboa, Lisbon, Portugal;Faculty of Science and Technology, Department of Conservation and Restoration, Universidade Nova de Lisboa, Caparica, PortugalCorrespondence[email protected]
ORCID Iconhttp://orcid.org/0000-0002-0476-5233View further author information
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Pages 79-95 | Received 18 Jan 2017, Accepted 18 Dec 2017, Published online: 05 Jan 2018

Citations (4)

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Read on this site (3)

Zane Austin Willard. (2022) Reframing performance’s ontology: hybridity in contemporary performance art’s ontology. International Journal of Performance Arts and Digital Media 18:3, pages 390-402.
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Line Vestergaard Knudsen. (2020) Ways of relating: museum–municipality collaborations for safeguarding built heritage. Museum Management and Curatorship 35:3, pages 247-263.
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Hélia Marçal. (2019) Diffracting Histories of Performance. Performance Research 24:7, pages 39-46.
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Articles from other publishers (1)

Hélia Marçal & Daniela Salazar. 2022. Over and Over and Over Again. Over and Over and Over Again 239 254 .

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