Citations (8)
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Odoja Asogwa & George Odoh. (2021) Reappraising the iconography and ethno-aesthetics of Adada masquerade of the Nsukka Igbo, southeast Nigeria. Cogent Arts & Humanities 8:1.
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Bimbola Akinbola. (2020) Disbelonging and unruly return in the performance art of Wura-Natasha Ogunji. Text and Performance Quarterly 40:2, pages 152-169.
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Articles from other publishers (6)
Odoja Asogwa & George Odoh. (2022) Problematizing the Dominant Narrative on Women’s Involvement in Igbo Masking Traditions. Journal of Asian and African Studies, pages 002190962210793.
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Eyo O. Mensah. (2021) To be a Man is Not a Day’s Job: The Discursive Construction of Hegemonic Masculinity by Rural Youth in Nigeria. Gender Issues 38:4, pages 438-460.
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Ademide Adelusi-Adeluyi. (2018) Historical Tours of “New” Lagos. Comparative Studies of South Asia, Africa and the Middle East 38:3, pages 443-454.
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Susan Elizabeth Gagliardi. (2018) Seeing the unseeing audience: women and West African power association masquerades. Africa 88:4, pages 744-767.
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Susan Elizabeth Gagliardi. (2018) Art and the individual in African masquerades Introduction. Africa 88:4, pages 702-717.
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John Thabiti Willis. (2016) Bridging the Archival-Ethnographic Divide: Gender, Kinship, and Seniority in the Study of Yoruba Masquerade. History in Africa 44, pages 63-100.
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