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Angelaki
Journal of the Theoretical Humanities
Volume 11, 2006 - Issue 1: creative philosophy theory and praxis
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Original Articles

Cinema as mnemotechnics

Bernard stiegler and the “industrialization of memory”

Pages 55-63 | Published online: 17 Dec 2010

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Read on this site (4)

Seung-Hack Chi. (2023) Cinematic Meta-Mechanics: Anxieties Surrounding Artificial Intelligence in Early Science Fiction. Quarterly Review of Film and Video 40:8, pages 1035-1054.
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Paul Mathew. (2019) The Image-Regime of Cinema in Postmodern Malayalam Literary Fiction. South Asian Review 40:4, pages 319-336.
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Harley Bergroth. (2019) ‘You can’t really control life’: dis/assembling self-knowledge with self-tracking technologies. Distinktion: Journal of Social Theory 20:2, pages 190-206.
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Articles from other publishers (9)

Peter Krapp. 2020. Handbuch Sozialwissenschaftliche Gedächtnisforschung. Handbuch Sozialwissenschaftliche Gedächtnisforschung 1 10 .
Hector Rodriguez. (2019) The Entropic Envelope. Leonardo 52:5, pages 455-460.
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Mark Dawson. 2019. Education and Technological Unemployment. Education and Technological Unemployment 313 327 .
Jing Wang. (2018) On acoustic milieus. Communication and the Public 3:4, pages 283-289.
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Gordon Sullivan. (2018) “We Do Not Look At Them As They Really Are”: Technics and Photogénie in Jean Epstein's Film-Philosophy . Film-Philosophy 22:3, pages 406-427.
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Oliver Dimbath. 2018. (Digitale) Medien und soziale Gedächtnisse. (Digitale) Medien und soziale Gedächtnisse 199 221 .
Geoffrey MaguireGeoffrey Maguire. 2017. The Politics of Postmemory. The Politics of Postmemory 133 182 .
Ben Turner. (2016) Life and the Technical Transformation of Différance: Stiegler and the Noopolitics of Becoming Non-Inhuman. Derrida Today 9:2, pages 177-198.
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Patrick Crogan. (2010) Bernard Stiegler: Philosophy, Technics, and Activism. Cultural Politics 6:2, pages 133-156.
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