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Journal of the Theoretical Humanities
Volume 3, 1998 - Issue 2: The love of music
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Section I: Music in General

An assemblage of desire, drugs and techno

John I. Fitzgerald Department of Criminology, University of Melbourne, Parkville, 3052, Australia E-mail: [email protected]
Pages 41-57 | Published online: 04 Jun 2008

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Maria-Adriana Deiana. (2023) Dance as a register of war: following unruly bodies, affects, and sounds in conflict. Critical Military Studies 9:3, pages 462-484.
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John Fitzgerald. (2005) Illegal drug markets in transitional economies. Addiction Research & Theory 13:6, pages 563-577.
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Fay Dennis & Adrian Farrugia. (2017) Materialising drugged pleasures: Practice, politics, care. International Journal of Drug Policy 49, pages 86-91.
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Peta Malins. (2017) Desiring assemblages: A case for desire over pleasure in critical drug studies. International Journal of Drug Policy 49, pages 126-132.
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Frederik Bøhling. (2017) Psychedelic pleasures: An affective understanding of the joys of tripping. International Journal of Drug Policy 49, pages 133-143.
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Ella Dilkes-Frayne. (2014) Tracing the “Event” of Drug Use: “Context” and the Coproduction of a Night Out on MDMA. Contemporary Drug Problems 41:3, pages 445-479.
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Frederik Bøhling. (2014) Crowded Contexts: On the Affective Dynamics of Alcohol and other Drug Use in Nightlife Spaces. Contemporary Drug Problems 41:3, pages 361-392.
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Kim McLeod.. (2014) Orientating to Assembling: Qualitative Inquiry for More-Than-Human Worlds. International Journal of Qualitative Methods 13:1, pages 377-394.
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Cameron DuffCameron Duff. 2014. Assemblages of Health. Assemblages of Health 125 151 .
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Cameron Duff. (2008) The pleasure in context. International Journal of Drug Policy 19:5, pages 384-392.
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Cameron Duff. (2018) “Charging” and “Blowing Out”: Patterns and Cultures of GHB Use in Melbourne, Australia. Contemporary Drug Problems 32:4, pages 605-653.
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MARK JOHN HALSEY. (2016) An Aesthetic of Prevention. Criminal Justice 1:4, pages 385-420.
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