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Angelaki
Journal of the Theoretical Humanities
Volume 3, 1998 - Issue 2: The love of music
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Section II: Specific Musics

Boulez, proust and time: ”Occupying without counting“

Gilles Deleuze Professor of Philosophy, University of Paris VIII, Vincennes/St Denis
Pages 69-74 | Published online: 04 Jun 2008

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Jonathan Brettell. (2016) Diving into Nonlinear History: Working with Entropy at the Purton Ships Graveyard, Gloucestershire. GeoHumanities 2:2, pages 413-431.
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Elizabeth J. Done & Helen Knowler. (2011) (Re)writing reflective practice with Deleuze, Guattari and feminist poststructuralism. Reflective Practice 12:6, pages 841-852.
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Kelly Humphrey, Stuart Barlo & Alexandra Lasczik. (2023) Basket weaving as an Aboriginal methodology and theoretical framework. AlterNative: An International Journal of Indigenous Peoples.
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José L. Besada. 2022. Time Representations in the Perspective of Human Creativity. Time Representations in the Perspective of Human Creativity 163 186 .
EDMUND MENDELSSOHN. (2021) Ontological Appropriation: Boulez and Artaud. Twentieth-Century Music 18:2, pages 281-310.
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Tim FlanaganTim Flanagan. 2021. Baroque Naturalism in Benjamin and Deleuze. Baroque Naturalism in Benjamin and Deleuze 241 274 .
Tim FlanaganTim Flanagan. 2021. Baroque Naturalism in Benjamin and Deleuze. Baroque Naturalism in Benjamin and Deleuze 59 125 .
Jo Lindsay Walton & Ed Luker. 2019. Poetry and Work. Poetry and Work 1 68 .
Jessie Fillerup. (2013) Eternity in Each Moment. Music Theory Online 19:1.
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Garin Dowd. 2009. Beckett's Proust/Deleuze's Proust. Beckett's Proust/Deleuze's Proust 89 103 .

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