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Angelaki
Journal of the Theoretical Humanities
Volume 19, 2014 - Issue 4: Cinema and sacrifice: new variations on an old theme. Issue editors: Costica Bradatan and Camil Ungureanu
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Part Two: Sacrifice, Transcendence, Self-Transcendence

FAITH, SACRIFICE, AND THE EARTH'S GLORY IN TERRENCE MALICK'S THE TREE OF LIFE

George B. HandleyComparative Arts and Letters, 3002 JFSB, Brigham Young University, Provo, UT84602, USACorrespondence[email protected]
Pages 79-93 | Published online: 18 Dec 2014

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Scott Haden Church & Gavin Feller. (2020) Synecdoche, Aesthetics, and the Sublime Online: Or, What’s a Religious Internet Meme?. Journal of Media and Religion 19:1, pages 12-23.
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Pablo Alzola Cerero. (2019) Standing at God’s threshold: film viewing as dwelling in Terrence Malick’s The Tree of Life. Church, Communication and Culture 4:2, pages 152-171.
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Articles from other publishers (2)

Evrim ERSÖZ KOÇ. (2021) THE THEODICY OF SUFFERING AND THE COSMIC VOYAGES IN THE TREE OF LIFE AND MIRACLES FROM HEAVENHAYAT AĞACI VE CENNETTEN MUCİZELER FİLMLERİNDE ACI ÇEKME TEODİSESİ VE KOZMİK YOLCULUKLAR. Dokuz Eylül Üniversitesi Sosyal Bilimler Enstitüsü Dergisi 23:1, pages 43-55.
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Brian Baker. 2017. Scars and Wounds. Scars and Wounds 127 148 .

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