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South African Theatre Journal Volume 28, 2015 - Issue 3
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Articles

When the past strikes the present: performing requiems for the Marikana massacre

Sofie de SmetDepartment of Art History, Musicology and Theatre Studies, Research Centre S:PAM (Studies in Performing Arts & Media), Ghent University, Ghent, BelgiumCorrespondence[email protected]
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,
Marieke BreyneDepartment of Art History, Musicology and Theatre Studies, Research Centre S:PAM (Studies in Performing Arts & Media), Ghent University, Ghent, BelgiumView further author information
&
Christel StalpaertDepartment of Art History, Musicology and Theatre Studies, Research Centre S:PAM (Studies in Performing Arts & Media), Ghent University, Ghent, BelgiumView further author information
Pages 222-241 | Published online: 23 Dec 2015

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Read on this site (4)

Marina Albertyn & Marie Kruger. (2020) White women without weapons: an analysis of women’s voices in Border War dramas. South African Theatre Journal 33:2-3, pages 67-86.
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Tine Destrooper. (2019) Performative justice? The role of theatre and performance in facilitating transitional justice. South African Theatre Journal 32:3, pages 199-214.
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Claire Scott. (2018) The Truths/Fictions/Traumas of Marikana: Exploring Violence and Trauma in Three Films, The Marikana Massacre: Through The Lens (2013), Miners Shot Down (2014), and Night is Coming: A Threnody for the Victims of Marikana (2014). Communicatio 44:4, pages 18-31.
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Sofie de Smet, Lucia De Haene, Cécile Rousseau & Christel Stalpaert. (2018) ‘Behind every stone awaits an Alexander’: unravelling the limits of participation within micro and macro dramaturgy of participatory refugee theatre. Research in Drama Education: The Journal of Applied Theatre and Performance 23:2, pages 242-258.
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Articles from other publishers (1)

Denise Bentrovato. 2021. Historical Justice and History Education. Historical Justice and History Education 291 314 .

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