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Articles

Getting heard in TibetFootnote1: Music, media and markets

Pages 259-285 | Published online: 17 Nov 2008

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Read on this site (6)

Timothy Thurston. (2018) On artistic and cultural generations in Northeastern Tibet. Asian Ethnicity 19:2, pages 143-162.
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James Butterworth. (2017) Framing culture: VCD music videos and the politics of genre in the Peruvian Andes. Ethnomusicology Forum 26:3, pages 331-348.
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Susi Geiger, Hans Kjellberg & Robert Spencer. (2012) Shaping exchanges, building markets. Consumption Markets & Culture 15:2, pages 133-147.
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Miguel Mera & Anna Morcom. (2009) Introduction: Screened Music, Trans-contextualisation and Ethnomusicological Approaches. Ethnomusicology Forum 18:1, pages 3-19.
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Articles from other publishers (8)

Timothy Thurston. (2018) A Careful Village: Comedic Dialogues and Linguistic Modernity in China's Tibet. The Journal of Asian Studies 77:2, pages 453-474.
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Anqi Shen & Georgios A. Antonopoulos. (2016) ‘No banquet can do without liquor’: alcohol counterfeiting in the People’s Republic of China. Trends in Organized Crime 20:3-4, pages 273-295.
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Gerald Roche. (2017) Introduction: the transformation of Tibet’s language ecology in the twenty-first century. International Journal of the Sociology of Language 2017:245, pages 1-35.
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Anna Morcom. (2015) Locating music in capitalism: a view from exile Tibet. Popular Music 34:2, pages 274-295.
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Clara Gustafsson. (2015) Sonic branding: A consumer-oriented literature review. Journal of Brand Management 22:1, pages 20-37.
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Laila Shin Rohani, May Aung & Khalil Rohani. (2014) One step closer to the field: visual methods in marketing and consumer research. Qualitative Market Research: An International Journal 17:4, pages 300-318.
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Antje Cockrill & Yang Liu. (2013) Western popular music consumption by highly involved Chinese music fans. Journal of Retailing and Consumer Services 20:3, pages 263-271.
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Anna Morcom. (2009) Bollywood, Tibet, and the spatial and temporal dimensions of global modernity. Studies in South Asian Film & Media 1:1, pages 145-172.
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