Citations (71)
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Takao Terui. (2023) State–business–civic partnerships in children’s film policy: the roles of the CFD/CEF Advisory Council in post-war Britain. International Journal of Cultural Policy 0:0, pages 1-16.
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Eda Aylin Genc, Beccy Kennedy-Schtyk & Steven Miles. (2023) Reimagining the cultural impact of neoliberalism: an analysis of Istanbul and Liverpool biennials. International Journal of Cultural Policy 29:5, pages 618-633.
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Jennifer L. Garfield-Abrams. (2023) The art of “everyday resistance”: Small city cultural actors’ disruption of extralocal growth politics. Journal of Urban Affairs 0:0, pages 1-18.
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Takao Terui. (2023) The Advocacy Coalition in the British Film Institute in Its Early Days. The Journal of Arts Management, Law, and Society 53:3, pages 200-216.
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Cheon Lee, Jiahuan Lu & Jongmin Shon. (2022) Managing the Market-Mission Tension: When Does Commercial Revenue Crowd out Charitable Contributions?. Public Performance & Management Review 45:3, pages 532-556.
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Karen Hands. (2021) Too big to fail: rethinking the foundations of Australia’s performing arts policies. International Journal of Cultural Policy 27:4, pages 437-448.
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Kevin V. Mulcahy. (2020) Cultural Darwinism and the Perils of Privatization: The Case of American Museums. The Journal of Arts Management, Law, and Society 50:4-5, pages 205-219.
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Eleonora Belfiore. (2020) Whose cultural value? Representation, power and creative industries. International Journal of Cultural Policy 26:3, pages 383-397.
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Ali Fitzgibbon. (2018) Arts Leadership in Contemporary Contexts. Cultural Trends 27:5, pages 385-387.
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Douwe Nijzink, Quirijn Lennert van den Hoogen & Pascal Gielen. (2017) The creative industries: conflict or collaboration? An analysis of the perspectives from which policymakers, art organizations and creative organizations in the creative industries are acting. International Journal of Cultural Policy 23:5, pages 597-617.
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Marisol J. D'Andrea. (2017) Symbolic Power: Impact of Government Priorities for Arts Funding in Canada. The Journal of Arts Management, Law, and Society 47:4, pages 245-258.
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Rachel Parker, Stephen Cox & Paul Thompson. (2017) The dynamics of global visual effects and games development industries: lessons for Australia’s creative industries development policy. International Journal of Cultural Policy 23:4, pages 395-414.
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Freya Higgins-Desbiolles. (2016) Sustaining spirit: a review and analysis of an urban Indigenous Australian cultural festival. Journal of Sustainable Tourism 24:8-9, pages 1280-1297.
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Jack Newsinger & William Green. (2016) The infrapolitics of cultural value: cultural policy, evaluation and the marginalisation of practitioner perspectives. Journal of Cultural Economy 9:4, pages 382-395.
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Stuart Richards. (2016) Proud in the middleground: how the creative industries allow the Melbourne queer film festival to bring queer content to audiences. Studies in Australasian Cinema 10:1, pages 129-142.
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Paul Chaney. (2015) Parties, promises and politics: exploring manifesto discourse on arts policy in Westminster, Scottish, Welsh and Northern Irish elections 1945–2011. International Journal of Cultural Policy 21:5, pages 611-630.
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Russell Prince. (2015) Economies of Expertise: Consultants and the Assemblage of Culture. Journal of Cultural Economy 8:5, pages 582-596.
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Minha Lee. (2015) Fostering connectivity: a social network analysis of entrepreneurs in creative industries. International Journal of Cultural Policy 21:2, pages 139-152.
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Josephine Caust. (2015) Cultural wars in an Australian context: challenges in developing a national cultural policy. International Journal of Cultural Policy 21:2, pages 168-182.
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Ryan Daniel. (2014) Artists and policy: a case study of the creative industries in north-eastern Australia. International Journal of Cultural Policy 20:5, pages 553-565.
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Laura Fisher. (2014) ‘Aboriginal mass culture’: a critical history. Visual Studies 29:3, pages 232-248.
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Bree Hadley, Anuradha Kapur, Clarissa Ruiz & Sheena Wrigley. (2013) Vision, Viability and Value: Three perspectives on the performing arts across cultures, context and nations. Performance Research 18:2, pages 95-101.
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Melissa Nisbett. (2013) Protection, survival and growth: an analysis of international policy documents. International Journal of Cultural Policy 19:1, pages 84-102.
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Maria Kouri. (2012) Merging Culture and Tourism in Greece: An Unholy Alliance or an Opportunity to Update the Country's Cultural Policy?. The Journal of Arts Management, Law, and Society 42:2, pages 63-78.
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Cian O’Callaghan. (2012) Urban anxieties and creative tensions in the European Capital of Culture 2005: ‘It couldn’t just be about Cork, like’. International Journal of Cultural Policy 18:2, pages 185-204.
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Sabine Boerner, Volker Moser & Johanna Jobst. (2011) Evaluating cultural industries: investigating visitors' satisfaction in theatres. The Service Industries Journal 31:6, pages 877-895.
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Tim Hazledine. (2011) Arts funding in New Zealand: a proposal for reform. Cultural Trends 20:1, pages 65-84.
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Miranda Boorsma & Francesco Chiaravalloti. (2010) Arts Marketing Performance: An Artistic-Mission-Led Approach to Evaluation. The Journal of Arts Management, Law, and Society 40:4, pages 297-317.
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Rebecca Finkel. (2010) Re-imaging arts festivals through a corporate lens: a case study of business sponsorship at the Henley Festival. Managing Leisure 15:4, pages 237-250.
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Eleonora Belfiore & Oliver Bennett. (2010) Beyond the “Toolkit Approach”: Arts Impact Evaluation Research and the Realities of Cultural Policy‐Making. Journal for Cultural Research 14:2, pages 121-142.
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Sian Everitt. (2009)
Arts and Economic Prosperity III: a review. Cultural Trends 18:4, pages 315-321.
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Ian Jackson & PhilipR. Tomlinson. (2009) The role of cooperation in a creative industry: the case of UK studio pottery. International Review of Applied Economics 23:6, pages 691-708.
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Barbara Jenkins. (2009) Cultural spending in Ontario, Canada: trends in public and private funding. International Journal of Cultural Policy 15:3, pages 329-342.
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Julia de Roeper & HarryJ. Savelsberg. (2009) Challenging the youth policy imperative: engaging young people through the arts. Journal of Youth Studies 12:2, pages 209-225.
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Katya Johanson. (2008) How Australian industry policy shaped cultural policy. International Journal of Cultural Policy 14:2, pages 139-148.
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Clive Gray. (2007) COMMODIFICATION AND INSTRUMENTALITY IN CULTURAL POLICY. International Journal of Cultural Policy 13:2, pages 203-215.
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Susan Galloway & Stewart Dunlop. (2007) A CRITIQUE OF DEFINITIONS OF THE CULTURAL AND CREATIVE INDUSTRIES IN PUBLIC POLICY. International Journal of Cultural Policy 13:1, pages 17-31.
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Miranda Boorsma. (2006) A STRATEGIC LOGIC FOR ARTS MARKETING. International Journal of Cultural Policy 12:1, pages 73-92.
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KevinV. Mulcahy. (2006) Cultural Policy: Definitions and Theoretical Approaches. The Journal of Arts Management, Law, and Society 35:4, pages 319-330.
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Jo Caust. (2005) Privilege or Problem: The Distinct Role of Government in Arts Development in South Australia. The Journal of Arts Management, Law, and Society 35:1, pages 21-35.
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Jo Caust. (2004) A Festival in Disarray: The 2002 Adelaide Festival: A Debacle or Another Model of Arts Organization and Leadership?. The Journal of Arts Management, Law, and Society 34:2, pages 103-118.
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Ieva Zemite, Ilona Kunda & Ilze Judrupa. (2022) The Role of the Cultural and Creative Industries in Sustainable Development of Small Cities in Latvia. Sustainability 14:15, pages 9009.
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Jane WoddisJane Woddis. 2022. Acting on Cultural Policy. Acting on Cultural Policy
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Sara Selwood. (2021) Social Sciences and the Cultural Sector in England. Museum Worlds 9:1, pages 33-52.
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Francesco Chiaravalloti. (2020) Stop measuring, start understanding! An arts policy and management researcher’s autobiographic account of the urgency of an ethnographic turn in research on the values of art1. Art & the Public Sphere 9:1, pages 131-143.
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Angelique Nairn & Matthew Guinibert. (2020) A dance of excellence, accessibility, money and national identity: A discourse analysis of the Royal New Zealand Ballet's website. International Journal of Nonprofit and Voluntary Sector Marketing 25:3.
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Su Fern Hoe. (2020) Laden with great expectations: (re)mapping the arts housing policy as urban cultural policy in Singapore. City, Culture and Society 21, pages 100339.
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Francesco Manta, Annunziata Tarulli, Domenico Morrone & Pierluigi Toma. (2020) Toward a Quadruple Bottom Line: Social Disclosure and Financial Performance in the Banking Sector. Sustainability 12:10, pages 4038.
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Patrice PoujolPatrice Poujol. 2019. Online Film Production in China Using Blockchain and Smart Contracts. Online Film Production in China Using Blockchain and Smart Contracts
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Ria Wiid & Paulo Mora‐Avila. (2017) Arts marketing framework: The arts organisation as a hub for participation. Journal of Public Affairs 18:2.
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Eleonora Redaelli. (2018) Creative placemaking and theories of art: Analyzing a place-based NEA policy in Portland, OR. Cities 72, pages 403-410.
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Jonathan Price. (2017) The construction of cultural leadership. European Journal of Cultural Management and Policy 7.
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Nicola Jayne Williams-Burnett & Heather Skinner. (2017) Critical reflections on performing arts impact evaluations. Arts and the Market 7:1, pages 32-50.
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Russell Prince. (2013) Calculative Cultural Expertise? Consultants and Politics in the UK Cultural Sector. Sociology 48:4, pages 747-762.
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Egil Bjørnsen. (2012) Norwegian cultural policy—A civilising mission? The Cultural Rucksack and abstract faith in the transforming powers of the arts. Poetics 40:4, pages 382-404.
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Ian D. Parkman, Samuel S. Holloway & Helder Sebastiao. (2012) Creative industries: aligning entrepreneurial orientation and innovation capacity. Journal of Research in Marketing and Entrepreneurship 14:1, pages 95-114.
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Jeff Boggs. (2009) Cultural Industries and the Creative Economy - Vague but Useful Concepts. Geography Compass 3:4, pages 1483-1498.
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Elaine Lally. (2009) The power to heal us with a smile and a song: Senior Well-being, Music-based Participatory Arts and the Value of Qualitative Evidence. Journal of Arts and Communities 1:1, pages 25-44.
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Richard G. Seymour. (2007) Hermeneutic phenomenology and international entrepreneurship research. Journal of International Entrepreneurship 4:4, pages 137-155.
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Clive Gray. (2016) Joining-Up or Tagging On? The Arts, Cultural Planning and the View From Below. Public Policy and Administration 19:2, pages 38-49.
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Ian McShane. (2014) Productive Nation? Museums, Cultural Policy and Australia's Productivity Narrative. SSRN Electronic Journal.
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