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International Journal of Cultural Policy Volume 11, 2005 - Issue 1: The Cultural Industries and Cultural Policy
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Original Articles

Media and cultural policy as public policy

The case of the British Labour government

David Hesmondhalgh
Pages 95-109 | Published online: 15 Aug 2006

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Mira Moshe & Rotem Moshe-Cohen. (2023) Neoliberal Adaptation - Sweden, Finland and Denmark Film Industries. Journal of Media Business Studies 20:2, pages 158-181.
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Emilie Yueh-Yu Yeh & Darrell William Davis. (2022) Film subsidies and cultural policy: the status of Hong Kong cinema. International Journal of Cultural Policy 0:0, pages 1-18.
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Bjarki Valtysson. (2022) The platformisation of culture: challenges to cultural policy. International Journal of Cultural Policy 28:7, pages 786-798.
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Woongjae Ryoo & Dal Yong Jin. (2020) Cultural politics in the South Korean cultural industries: confrontations between state-developmentalism and neoliberalism. International Journal of Cultural Policy 26:1, pages 31-45.
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Jong-Eun Chung. (2019) The neo-developmental cultural industries policy of Korea: rationales and implications of an eclectic policy. International Journal of Cultural Policy 25:1, pages 63-74.
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Helle Sjøvaag & Arne H. Krumsvik. (2018) In Search of Journalism Funding. Journalism Practice 12:9, pages 1201-1219.
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Mart Ots, Arne H. Krumsvik, Marko Ala-Fossi & Pernilla Rendahl. (2016) The Shifting Role of Value-Added Tax (VAT) as a Media Policy Tool: A Three-Country Comparison of Political Justifications. Javnost - The Public 23:2, pages 170-187.
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Paul Benneworth & Hugh Dauncey. (2016) Cultural policy, creative clusters and the complexity of higher education: notes from the case of Enjmin in Angoulême, France. International Journal of Cultural Policy 22:1, pages 80-99.
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David Hesmondhalgh, Melissa Nisbett, Kate Oakley & David Lee. (2015) Were New Labour’s cultural policies neo-liberal?. International Journal of Cultural Policy 21:1, pages 97-114.
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Phil Ramsey & Andrew White. (2015) Art for art’s sake? A critique of the instrumentalist turn in the teaching of media and communications in UK universities. International Journal of Cultural Policy 21:1, pages 78-96.
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Seung-Ho Kwon & Joseph Kim. (2014) The cultural industry policies of the Korean government and the Korean Wave. International Journal of Cultural Policy 20:4, pages 422-439.
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Christian Potschka. (2013) Broadcasting and market-driven politics in the UK and Germany: the Peacock Committee in comparative perspective. International Journal of Cultural Policy 19:5, pages 595-609.
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Helle Sjøvaag. (2012) Regulating commercial public service broadcasting: a case study of the marketization of Norwegian media policy. International Journal of Cultural Policy 18:2, pages 223-237.
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Jack Newsinger. (2012) The politics of regional audio-visual policy in England: or, how we learnt to stop worrying and get ‘creative’. International Journal of Cultural Policy 18:1, pages 111-125.
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David John Lee, Kate Oakley & Richard Naylor. (2011) ‘The public gets what the public wants’? The uses and abuses of ‘public value’ in contemporary British cultural policy. International Journal of Cultural Policy 17:3, pages 289-300.
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Nick Wilson. (2010) Social creativity: re‐qualifying the creative economy. International Journal of Cultural Policy 16:3, pages 367-381.
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Mark Hayward. (2010) THE ECONOMIC CRISIS AND AFTER. Cultural Studies 24:3, pages 283-294.
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Paschal Preston, Aphra Kerr & Anthony Cawley. (2009) INNOVATION AND KNOWLEDGE IN THE DIGITAL MEDIA SECTOR. Information, Communication & Society 12:7, pages 994-1014.
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David Buckingham. (2009) Beyond the competent consumer: the role of media literacy in the making of regulatory policy on children and food advertising in the UK. International Journal of Cultural Policy 15:2, pages 217-230.
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David Buckingham. (2009) The appliance of science: the role of evidence in the making of regulatory policy on children and food advertising in the UK. International Journal of Cultural Policy 15:2, pages 201-215.
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Sara Malou Strandvad. (2009) New Danish Screen – an organizational facilitation of creative initiatives: gatekeeping and beyond. International Journal of Cultural Policy 15:1, pages 107-121.
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Rachel Parker & Oleg Parenta. (2009) Multi‐level order, friction and contradiction: the evolution of Australian film industry policy. International Journal of Cultural Policy 15:1, pages 91-105.
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Greg Hearn, Simon Roodhouse & Julie Blakey. (2007) FROM VALUE CHAIN TO VALUE CREATING ECOLOGY. International Journal of Cultural Policy 13:4, pages 419-436.
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John Clarke & Janet Newman. (2007) WHAT'S IN A NAME?. Cultural Studies 21:4-5, pages 738-757.
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Kate Oakley. (2006) Include Us Out—Economic Development and Social Policy in the Creative Industries. Cultural Trends 15:4, pages 255-273.
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Taylor Brydges & Rhiannon Pugh. (2021) Coming into fashion: Expanding the entrepreneurial ecosystem concept to the creative industries through a Toronto case study. Canadian Geographies / Géographies canadiennes 65:3, pages 346-367.
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Věra Exnerová. 2021. Transnational Sites of China’s Cultural Diplomacy. Transnational Sites of China’s Cultural Diplomacy 65 87 .
Nikos Koutras. 2020. Building Equitable Access to Knowledge Through Open Access Repositories. Building Equitable Access to Knowledge Through Open Access Repositories 96 127 .
Bjarki ValtyssonBjarki Valtysson. 2020. Digital Cultural Politics. Digital Cultural Politics 47 98 .
Robert G. PicardRobert G. Picard. 2020. Media and Communications Policy Making. Media and Communications Policy Making 47 70 .
John BudarickJohn Budarick. 2019. Ethnic Media and Democracy. Ethnic Media and Democracy 127 163 .
Giles Moss. (2017) Media, capabilities, and justification. Media, Culture & Society 40:1, pages 94-109.
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Michael Hutter. 2018. Innovation Society Today. Innovation Society Today 149 164 .
Ole Marius Hylland. (2017) Even Better than the Real Thing? Digital Copies and Digital Museums in a Digital Cultural Policy. Culture Unbound 9:1, pages 62-84.
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Louis Ho. (2017) From ‘no cultural policy’ to ‘centralised market orientation’: The political economy of Hong Kong cultural policy (1997–2015). Global Media and China 2:1, pages 57-73.
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Simon DawesSimon Dawes. 2017. British Broadcasting and the Public-Private Dichotomy. British Broadcasting and the Public-Private Dichotomy 91 114 .
Simon DawesSimon Dawes. 2017. British Broadcasting and the Public-Private Dichotomy. British Broadcasting and the Public-Private Dichotomy 3 19 .
Michael Hutter. 2016. Innovationsgesellschaft heute. Innovationsgesellschaft heute 157 173 .
Pei-chi Chung. 2016. Global Game Industries and Cultural Policy. Global Game Industries and Cultural Policy 125 151 .
Jack Newsinger. (2014) A cultural shock doctrine? Austerity, the neoliberal state and the creative industries discourse. Media, Culture & Society 37:2, pages 302-313.
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Kate Oakley, David Hesmondhalgh, David Lee & Melissa Nisbett. (2014) The national trust for talent? NESTA and New Labour’s cultural policy. British Politics 9:3, pages 297-317.
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Simon Dawes. (2014) Broadcasting and the public sphere: problematising citizens, consumers and neoliberalism. Media, Culture & Society 36:5, pages 702-719.
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Leonardo De Marchi. (2014) Análise do Plano da Secretaria da Economia Criativa e as transformações na relação entre Estado e cultura no Brasil. Intercom: Revista Brasileira de Ciências da Comunicação 37:1, pages 193-215.
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정준희. (2014) Trojan Horse : The Possibility and Risk of BBC's Public Value Approach. Journal of Communication Research 51:1, pages 63-99.
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Richard Wallis & David Buckingham. (2013) Arming the citizen-consumer: The invention of ‘media literacy’ within UK communications policy. European Journal of Communication 28:5, pages 527-540.
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Catherine Johnson. (2013) From brand congruence to the ‘virtuous circle’: branding and the commercialization of public service broadcasting. Media, Culture & Society 35:3, pages 314-331.
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Lee Edwards, Bethany Klein, David Lee, Giles Moss & Fiona Philip. (2012) Framing the consumer. Convergence: The International Journal of Research into New Media Technologies 19:1, pages 9-24.
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Maria Michalis. (2012) Balancing public and private interests in online media: the case of BBC Digital Curriculum. Media, Culture & Society 34:8, pages 944-960.
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Rodrigo Gómez García. 2012. The Handbook of Global Media Research. The Handbook of Global Media Research 212 226 .
Håkon Larsen. (2011) Public Service Broadcasting as an Object for Cultural Policy in Norway and Sweden. Nordicom Review 32:2, pages 35-47.
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Sonia Livingstone & Peter Lunt. 2011. The Handbook of Media Audiences. The Handbook of Media Audiences 169 189 .
Petros Iosifidis. (2011) Growing pains? The transition to digital television in Europe. European Journal of Communication 26:1, pages 3-17.
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Zhihong Gao & Joe H. Kim. (2009) Regulation of soft issues in advertising in Confucian societies: a comparative examination. Asia Pacific Journal of Marketing and Logistics 21:1, pages 76-92.
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Zhihong Gao. (2007) An in‐depth examination of China's advertising regulation system. Asia Pacific Journal of Marketing and Logistics 19:3, pages 307-323.
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Sonia LivingstonePeter LuntLaura Miller. (2016) Citizens and consumers: discursive debates during and after the Communications Act 2003. Media, Culture & Society 29:4, pages 613-638.
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Brett Christophers. (2007) Enframing creativity: power, geographical knowledges and the media economy. Transactions of the Institute of British Geographers 32:2, pages 235-247.
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Des Freedman. (2016) Dynamics of power in contemporary media policy-making. Media, Culture & Society 28:6, pages 907-923.
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Christian Herzog & Michael Tracey. (2016) British Broadcasting Policy during the Seventh BBC Charter Period 1996-2006. SSRN Electronic Journal.
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