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International Journal of Cultural Policy Volume 17, 2011 - Issue 4: Policy and the Popular
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Researching live music: some thoughts on policy implications

Martin Cloonan Music, School of Culture and Creative Arts, University of Glasgow, 14 University Gardens, Glasgow, G12 8QH, UKCorrespondence[email protected]
Pages 405-420 | Published online: 16 Aug 2011

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Read on this site (4)

Nicholas Carah, Scott Regan, Lachlan Goold, Lillian Rangiah, Peter Miller & Jason Ferris. (2021) Original live music venues in hyper-commercialised nightlife precincts: exploring how venue owners and managers navigate cultural, commercial and regulatory forces. International Journal of Cultural Policy 27:5, pages 621-635.
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Adam Behr, Matt Brennan & Martin Cloonan. (2016) Cultural value and cultural policy: some evidence from the world of live music. International Journal of Cultural Policy 22:3, pages 403-418.
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John Street. (2012) From Gigs to Giggs: politics, law and live music. Social Semiotics 22:5, pages 575-585.
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Martin Cloonan. (2012) Selling the experience: The world-views of British concert promoters. Creative Industries Journal 5:1-2, pages 151-170.
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Articles from other publishers (8)

Dario Azzellini, Ian Greer & Charles Umney. (2021) Why isn’t there an Uber for live music? The digitalisation of intermediaries and the limits of the platform economy. New Technology, Work and Employment 37:1, pages 1-23.
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Guy Morrow & Jennifer Beckett. 2022. Rethinking the Music Business. Rethinking the Music Business 239 260 .
Guy MorrowGuy Morrow. 2020. Designing the Music Business. Designing the Music Business 149 176 .
Haekyung Um. (2019) UK–Asia music business collaborations: Liverpool Sound City, Modern Sky and Zandari Festa. Global Media and China 4:4, pages 437-461.
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Arno van der Hoeven & Erik Hitters. (2019) The social and cultural values of live music: Sustaining urban live music ecologies. Cities 90, pages 263-271.
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Diane Hughes, Mark Evans, Guy Morrow & Sarah KeithDiane Hughes, Mark Evans, Guy Morrow & Sarah Keith. 2016. The New Music Industries. The New Music Industries 81 96 .
Nic Beech, Stephen Broad, Ann Cunliffe, Celia Duffy & Charlotte Gilmore. 2015. Organising Music. Organising Music 1 24 .
Pedro Nunes. (2014) Diversity and Synergy in the Recording Industry in Portugal, 1988-2008. Journal of World Popular Music 1:1.
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